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Dum Dum Girls – I Will Be

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When famed rock critic Lester Bangs heard the Shaggs, he made a prediction that the cro-magnon men of the world would eventually grope and mangle rock music into an unrecognizable heap that only the girls could put back together. I don’t think that we’re there quite yet, but lately we have seen a de-masculinization of male vocal styles, and an increasing amount of girl groups with new solutions to old problems. It is the latter of these two universes that Dum Dum Girls belong to. In late 2008, ringleader Dee Dee began the project as both a cathartic vessel and shrine to her heroes The Stooges and the Vaselines. Producing treble-heavy hybrids of old school punk and bubblegum pop she describes as “blissed-out buzz saw,” the tunes found footing amongst the new wave of buzz bands playing lo-fi rock with smeared melodies shifting on top. However, to lump the girls in with this movement entirely would hardly do them justice. While the dirty production value is certainly at least part of their aesthetic make up, the upcoming debut full-length I Will Be proves that its far from the only thing going for them.

There’s a million words we turn over when trying to describe it; ‘the gift’, ’soul’, ’steez’, whatever abstract quality a certain artist has that can make a familiar song exciting again, the Dum Dum Girls have got it. The hacked guitar play, simple drum beats, and candid tone stir up something refreshingly un-cryptic in a scene that feeds on vagueness. Their direct delivery on tracks like ‘Jail La La’, harking sentiments like, “This woman’s clearly out of her mind/she’s covered in shit/and high as a kite,” contributes to the thrill of watching Dee Dee and Co. try on different hats. Throughout the 11 tracks producer Richard Gottehrer (The Voidoids, Blondie, The Go-Go’s) helps them summon everyone from The Ronettes to Black Tambourine. What came out was an efficient album of three minute songs running on primitive garage riffs, starry-eyed harmonies, leather skin, and teenage empathy. It’s not the next big thing, it’s not revivalism, it’s just an excellent depiction of someone singing songs in front of the mirror. Highly Recommended.

I Will Be is available on Sub Pop March 30th.

MP3:::
Dum Dum Girls – I Will Be
Dum Dum Girls – Jail La La

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The Whitehaus Presents BLASTFEST 3

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Us New Englanders always get passed on by the festival planning committee. So while everyone you know is off at SXSW mingling and blogging for AOL, stay tuned for the upcoming wave of relief that is BLASTFEST 3. Boston freak-haven The Whitehaus will present its third annual showcase that promises “hugs, Americana, mind altering substrates, confetti, kisses, PB&J’s, culture shock, good times,” as well as twenty or so of the area’s promising acts like Manners, Girlfriends, The Woodrow Wilsons, and many more. There’ll be stuff for the folkies, the yes-wavers, the garage/psych aficionados, and poetry buffs alike. Also, look out for The Papercut Zine Library’s table curating some of the best New England zines for your viewing pleasure. It’s gonna be sunny and 60’s this weekend, where else would you rather be?

BLASTFEST 3 goes down this Saturday March 20th from 11am-11pm at the Cambridge YMCA Theater, accessible via the Central Square T Stop. Visit the press page for more info and media links.

MP3 :::
Girlfriends – Suckin Rare Meat Off the Bone China
The Woodrow Wilsons – The Sopranos

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The Lone Swordsman’s Killer Debut

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Lurching samurai vibes, phased vocal apparitions, and menacing bass lines are just a few of the disparate tricks that newcomer Forest Swords has up his sleeves. This savvy UK producer lays the groundwork with dark planetary dub-step akin to Not Not Fun affiliates and then decorates with ascending guitar lines that teeter between cloud-bursting ambiance and claustrophobic tension. His debut LP Dagger Paths is a dogged expansion of the potential we saw last summer on his Miarches cassette, and is already bound to be a fixture on our playlist for some time. It’s definitely not a go-to for any occasion, but if you feel like a spaced out trek up Desolation Peak and back, your ride is here.

Dagger Paths is available through Olde English Spelling Bee.

MP3 :::
Forest Swords – If Your Girl
Forest Swords – Visits

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Worn Records and White Fences

whitefence Worn Records and White Fences

White Fence, the one man project of Tim Presley (of Darker My Love fame), plays trebly psychedelic pop that sounds just as influenced by 60s bubblegum one-offs (I’m looking at you Lemon Pipers and your “Green Tambourine”) as by “serious” artists like Love and the Byrds. On his debut album for Woodsist, White Fence, Presley sounds more like a wide-eyed teenager thinking of endless metaphors for his crush’s eyes than a horny garage rocker (with a few exceptions, like “Baxter Corner” and its paranoid chorus of “Lose your number, lose your name!” and the swaggering “Destroy Everything”). Songs like “I’ll Follow You,” “Sara Snow,” and “The Gallery” (which is provided below for your consideration) sound like they’ve just been unearthed from the dusty archives of some Sunset Strip studio, remnants of a period when every band, even the “square” ones with matching suits, had to have a least one vaguely psychedelic song.

White Fence loses a little steam in its second half, but the eleven track stretch from “Mr. Adams” to “Ring Around the Square” is so effortlessly charming and inviting that it should supply you with enough goodwill to make it through the sorta half-baked experimental stuff to get the totally sweet Lennon-esque closer “Be Right Too.” Listening to White Fence, you can almost fool yourself until thinking you’re really listening to some long lost 60s band; whether that seems cool or just another example of how lame indie rock has become in 2010 is up to you, but the fact remains that White Fence is full of some pretty amazing psych pop jams.

White Fence is available on vinyl here and will be available on CD from Woodsist April 17.

For fans of:  Syd Barrett, Love, Ariel Pink

MP3 :::
White Fence – The Gallery

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Dum Dum Girls Stay Blissed Out, Cover Black Tambourine

dumdumbliss452 Dum Dum Girls Stay Blissed Out, Cover Black TambourineJust grabbed the latest packaging of songs from Dum Dum Girls a.k.a. the only group with enough swagger and snarl to make the “girls” suffix truly ironic. This limited Blissed Out cassette contains all of their songs so far, and acts as a good preview for their upcoming debut full-length I Will Be, something that we are more than psyched for. Along with all the girls’ originals, this tape includes a cover of our/everyone’s favorite Black Tambourine jam, which you’ll find below. Chances are, by the time you read this the initial batch will be sold out, so sign up for Art Fag’s mailing list to get the jump on the next round. And if you are skeptical to adopt another “girls” band into your life, just watch this video:

MP3 :::
Dum Dum Girls – Throw Aggi

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Rangers – Suburban Tours

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Upon relocating from Dallas to San Francisco, Rangers masthead Joe Knight conjured his glazed weariness into the 11 tracks of murky psychedelia that would become his debut LP Suburban Tours. On the odd album opener “Deerfield Village”, he positions himself as some sort of repetitive, humorless version of Ariel Pink, with abrasive blasts of lazy vocal snarls. Aside from “Brook Meadows”, Joe keeps tight lipped, opting to concentrate on the rough-edged collage approach to neo-ambient music that Rangers explore. Saturated melancholy, super compressed down tempo drums, and wheezing vhs synth lines make up the bulk album, which is a roundabout way of admitting that this really just sounds like a new Ducktails cassette. Only on a couple tracks like “Glen Carin” does he nail the looking out the window on a rainy day phenomena well enough for us to ignore his overlapping sonic neighbors.  Suburban Tours is a well executed mission statement, but where is the benchmark for this perpetual 80’s fetish? Are we now obligated to write up anything that sounds like it could be the soundtrack to a job training tape/pizza party/insert nostalgia? Even if this was just intended to play as a hazy personal pet project, I can’t help but feel like it was popped right out of the hypnagogic cookie cutter.

Suburban Tours is out now on Olde English Spelling Bee.

For Fans Of: Ducktails, Arch M, Universal Studios Florida

MP3 :::
Rangers – Deerfield Village
Rangers – Glen Carin

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Austin Psych Fest 3 Lineup Revealed

email Austin Psych Fest 3 Lineup Revealed

The lineup for APF 3 just hit about an hour ago, and once again it’s lookin’ pretty good, as expected. The Black Angels headline, of course, as they have the previous two. Full lineup:

The Black Angels – The Raveonettes – Pink Mountaintops – YaHoWa 13 – Spindrift – Warpaint – Indian Jewelry – The Vandelies – The Meed – Headdress – Ringo Deathstarr – Christian Bland and the Revelators – Daughters of the Sun – Sisters of Your Sunshine Vapor – The Night Beats – Shapes Have Fangs – Smoke and Feathers – Screen Vinyl Image – Black Acid – Ghost Songs

The festival happens at Austin’s good ole The Mohawk April 23 , 24, and 25. Bummed I’m not within a day’s drive in Austin to roll through for this, but stoked on seeing a lot of these dudes at SXSW next week.

Though I’ve given you just about all the info you need, you should go to their website anyway because it’s fun to zone out on. You’ll see what I mean.

MP3 :::
The Black Angels – Snake in the Grass
Indian Jewelry – Nonetheless
Warpaint – Set Your Arms Down
Ringo Deatstarr – Every Time

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New Ariel Pink – “Round and Round”

arielcover New Ariel Pink - Round and Round

4AD just released the first single for the forthcoming, as-yet-unnamed record from Ariel Pink’s Haunted Grafitti. The song is smoooooooth, ya’ll – but what the fuck happened to all the sonic bullshit that Ariel stuffs in his usual jams?! I hope 4AD isn’t going to start “cleaning up” the Ariel Pink sound and turn him into something retarded like St. Vincent. Either way, I still love Ariel Pink agape style. I can’t even say something like “he could fart in a mic for an hour and I’d still buy the record,” because he basically already does that (with pop finesse, of course). Ultimately, I’m very glad he’s discovered Yacht Rock in an even more intimate way on “Round and Round.”

MP3 :::
Ariel Pink – Round and Round

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Caribou – Swim

caribou-swim Caribou - Swim

Dan Snaith, a.k.a. Caribou a.k.a. Manitoba a.k.a. “The Professah,” seems to follow a chronologically retroactive pattern. His earliest work reflected IDM and glitch standards prolific in the ’90s. Then his breakthrough full-length, Up in Flames, evoked silky ’80s dream pop and shoegaze. 2005’s The Milk of Human Kindness took cues from the heyday of krautrock. This eventually propelled Snaith squarely in the baroque pop part of the space-time continuum circa 1966 in the form of Andorra, an album that all but references The Left Banke by name. So what of Swim? Will Caribou continue his time traveling trajectory, make good on the album title, and release his surf rock / doo wop / Skiffle album? Not quite. Caribou hinted with the somewhat disappointing “Odessa” a possible move toward more dance-oriented material. For the most part, this is true. However, the result is much more interesting than “Odessa” suggested.

Snaith makes it clear this time around that he’s going balls to the wall, trying on a variety of new hats. “Jamelia” juggles dub beats, Colin Bluntstone-channeled vocals, orchestral arrangements, and non-linear songwriting in one of Caribou’s most driving efforts. “Bowls” is an exploration of the more minimal and ambient works under the Manitoba moniker, replete with David Fridmann ethereal harp accents, Aphex Twin-informed minimal techno, and glitch flourishes.  ”Hannibal” acts as a compromise betwixt the splattered rhythms, bubbling low end, and horn explosions of Scratch Perry and the fluid, galactic vibe of Boards of Canada circa Twoism. “Kaili” shows Caribou experimenting with acid house samples over pop vocals and Love-inspired psychedelic orchestration. The idea has more value than the actual product, but the bold jump should be applauded nonetheless. Despite some pitfalls, Swim showcases some real moments of brilliance and clarity, best demonstrated on the psilocybin-saturated “Sun” – an angelic, blissed out motorik club banger augmented with hauntological synths and the self-evident mantra of “sun.”

Though not as strong as his mid-decade releases, Swim is a surprising follow-up that, while not groundbreaking, is thoroughly enjoyable and a great juxtaposition of electronic and psych genres spanning every decade Snaith has covered in his impressive repertoire. Moreover, Swim set a new paradigm for Caribou by breaking his old pattern, which may be one of the album’s biggest triumphs.

Swim drops courtesy of Merge on April 20 (hurhur, 420 lol), which should be available for pre-order soon. And lest ye forget, Caribou swings through Louisville with Toro y Moi on June 8th at the Zanzabar.

MP3 :::
Caribou – Sun

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Pure Ecstasy Drop New Voices/Alexandria 7″

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Austin trio Pure Ecstasy dwell in a swampy hybrid of past and present. Their recent string of patient, affected singles gave nods to peers in the tropical lo-fi scene with their cavernous, prismatic reverb guitar settings, combined with hefty dub baselines and crawling 4/4 beats. Where they tend to stand out the most is their vocal maneuvers, which forgo the expected Beach Boys idolization in favor of a syrupy southern droll that confidently steers the wall of sound into moments of anguish, and yes, pure ecstasy. No news yet on a proper full-length from the boys, but they’ve brought another rock solid teaser in the interim, dropping the Voices/Alexandria single on March 23rd on Acephale. You can also catch them playing the Underwater People’s Party at SXSW on March 17th.

Pre-order the Voices/Alexandria 7″ here.

MP3 :::
Pure Ecstasy – Voices

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