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Monthly Archive for June, 2009Page 2 of 2

[Bootleg] Oneida Live at Primavera Sound Festival

 [Bootleg] Oneida Live at Primavera Sound Festival

The mighty WFMU brings the goods once again, archiving a soundboard quality recording of Oneida’s insane performance at last month’s Primavera Sound Festival (known for its beautiful ambience along the Spanish Mediterranean and the location where Wavves lost his shit but I totally don’t blame him for it). The recording includes an Acid Mothers Temple-esque, undeniably evil, kaleidoscopic, 43-minute brain busting rendition of “Each One Teach One.” It’s fucking ridiculous and delightfully unnecessary. I feel stoned listening to this right now. Love this band.

Unfortunately, the kraut punk collective opted to not play any new material from the forthcoming Rated O. But who gives a shit – it’s Oneida, and it’ll be good. Nevertheless, the group will be celebrating its July 7th release with a couple of stateside dates, and a couple of European ones, too. The domestic rockshows will feature some big ballaz – Amps For Christ, Sunburned Hand of the Man, Wooden Shjips, and more:

07.10.09 – Hoboken, NJ – Maxwell’s
07.11.09 – San Francisco, CA – Bottom of the Hill #
07.12.09 – Los Angeles, CA – The Echoplex &
07.24.09 – Brooklyn, NY – Todd P Event – TBA %
07.25.09 – Medford, MA – Outside the Lines Studio %
07.26.09 – New Haven, CT – BAR
08.07.09 – Kutna Hora, CZ-  Art Festival
08.08.09 – Berlin, GER – Berlin Festival
08.09.09 – Scheer, GER – Klangbad Festival
08.14.09 – Amsterdam, NL – Paradiso
08.15.09 – Tilburg, NL – TBC

# – Wooden Shjips, Jonas Reinhardt
& – Amps for Christ, Clipd Beaks
% – Sunburned Hand of the Man

Possibly Related :::
A Quick, Odd, Fun Email Exchange With Oneida

MP3 :::
Oneida – Spanish Jam / Each One Teach One (Primavera Fest, Barcelona – 5.30.09)
Oneida – All Arounder (Primavera Fest, Barcelona – 5.30.09)
Oneida – Sheets of Easter (Primavera Fest, Barcelona – 5.30.09)

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[Reminder] Will ‘El Jefe’ Oldham and Bachelorette Tonight!

Bachelorette [Reminder] Will El Jefe Oldham and Bachelorette Tonight!

Yes, Bonnie Prince Billy’s latest releases, Beware and his Among the Gold collaboration with Chyenne Mize, are excellent. But Bachelorette’s My Electric Family (The Deicbel Tolls review) is next level shit. This is your heads-up to arrive early to the show tonight at The Red Mile in Lexington. Doors are at 9 p.m. Get there at exactly that time, render your $12, and have Annabelle Alpers destroy your brain for 45 minutes (show info).

Congrats to Alex for gripping the tickets in last week’s giveaway. Enjoy this video of “Intergalactic Solitude” from Isolation Loops in Brooklyn. Yay for mushrooms.

And man… I. Just. Can’t. Stop. Listening. To. “Instructions For Insomniacs.” Good gawd, ya’ll. Enjoy this too.

MP3 :::
Bachelorette – Instructions For Insomniacs

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You Kids Like Tonality-Focused Ambient Music?

gregkowalski You Kids Like Tonality-Focused Ambient Music?

Bay Area drone architect Gregg Kowalsky is one of Kranky’s newest offerings. Of course, Kranky is one of maybe four labels wherein if the skewed rectangle logo is present on any given album’s spine, said record will probably be blazin’. Kowalsky’s Tape Chants is no different.

While I enjoy ambient music, there are very few ambient artists I can truly cheer for outside Christian Fennesz and William Basinski. However, Kowalsky, who holds a masters in electronic music performance and recording, is one of them. The potent alien oscillator tone that opens “Vi-Vii” makes your eyes dart about the room, provoking you to think someone else is present. Sound interesting to you? It should, I love that feeling. And like Basinski, Kowalsky has an affinity for tape loops. For live performances, Kowalsky uses between six and ten cassette recorders and commercial stereo units scattered about the perimeter of the performance space. The amplitudes of the individual tape players are adjusted, and Gregg walks around the space listening to the overall mix, acting as a true sound alchemist. As he describes himself “the live set fits somewhere between sound installation and performance.”  Many of the tapes from these live installations make up his sophomore release.

Sure, to an extent, Kowalski makes academic music. But you don’t have to be a music academic to find the timbre, tonality, and serendipitous deameanor of tape loop performance completely engaging. Kowalski craftily cultivates a sort of breathing organism in his fascinating thick analog stew – creating ambient music to get excited about.

Tape Chants is available now courtesy of the good bros and broettes at Kranky. Greg is also hitting the road this week, so peep his MySpace page for the latest date confirmations.

For fans of:  Fennesz, Brian Eno, Seefeel

MP3 :::
Greg Kowalski – Vi-Vii [Excerpt]

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No-Fi Rockers Plead the Filth

shitfront72 No-Fi Rockers Plead the Filth

How can you pass on a band called Psychedelic Horseshit? These Columbus, Ohio psych-poppers are largely dismissive of the shitgaze scene that they are often lumped into, and talk their fair share of trash about its guilty participants. Core member Matt Whitehurst recently chatted with the Washington Post about the current state of lo-fi music noting, “I’m not Rick Rubin, but I wanna be,” and going on to accuse peers like Wavves of, “hiding behind static.” And while he’s probably right, all this “constructive criticism” is just gonna land these guys in the bitter has-bin with Lydia Lunch one day.

Of course, none of this gossip would matter if Psychedelic Horeshit didn’t have some killer bite to back up the nagging. Their most recent assault is the cheekily-titled Shitgaze Anthems, a self-desribed “b-sides EP from an album that hasn’t come out yet.” It’s loud, catchy, and filtered through the kind of fuzz that really sticks to the bottom your shoes. These six songs willfully interchange psych, punk, dub, folk, psychobilly, and garage rock for their unique sound that could sit comfortably within the Black Lips early catalog. Opener “We’re Pink Floyd, Bitch” juxtaposes snot-nosed vocals and insane choral explosions of grinding stone melodies and chirping synths into some seriously thick-skinned pop. There are many surprises on this EP, from amphetamine C86-style punk of “Dreadlock Paranoia,” that abruptly dissolves into a clunky reggae bridge, to the coarse acoustic strumming of “As in Dreams Pt. 2″. With the adventurous song-structures, the vocals are the most lack luster component of this outspoken group, but if he ever takes the clothes pin off his nose, these guys may someday replace their umbrella-peers like Vivian Girls as no-fi royalty.

Shitgaze Anthems is available now on Woodsist, and no one blames you if you can’t get into it.

For fans of:  Sic Alps, Eat Skulls, early Black Lips

MP3 :::
Psychedelic Horseshit – Dreadlock Paranoia
Psychedelic Horseshit – We’re Pink Floyd, Bitch

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Save the Date for Sir Richard Bishop and Sapat

sirrichardbishop Save the Date for Sir Richard Bishop and Sapat

This will be a must see show. Sir Richard Bishop, supporting his latest beastly jam hive The Freak of Araby (The Decibel Tolls review), is coming to town with Oaxacan (who also serve as his touring backing band), and local reclusive freak folk collective Sapat. It’s all going down at a newish restaurant/music venue The Swan Dive in the up and coming Germantown neighborhood. Save this date, dudes.

Sir Richard Bishop
with Oaxacan and Sapat
Wednesday, June 24, 9 p.m.
The Swan Dive
921 Swan St., Louisville (map that shizz)

MP3 :::
Sir Richard Bishop – Enta Omri
Sapat – Dark Silver

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Louisville and Surrounding Areas Summer Fun Guide 2K9

lsmg Louisville and Surrounding Areas Summer Fun Guide 2K9

Seeing as it’s June and the weather is getting hot, now is as good of time as any to present our woefully incomplete yet highly selective summer fun guide. I’m still pretty sore that I missed the amazing lineup at Terrastock last year, held here in Louisville (I was living in Chicago at the time), and unfortunately, they’re not doing it this year. However, there are a number of cool festivals in and around the area to take part in. In no particular order, here are a few that should particularly appeal to readers of this blog:  Continue reading ‘Louisville and Surrounding Areas Summer Fun Guide 2K9′

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Bachelorette – My Electric Family

61jF6xS3F%2BL._SS500_ Bachelorette - My Electric Family

Christchurch, New Zealand native Annabel Alpers, known to you and I as Bachelorette, is a quiet, sultry force that you can’t even reckon with. Her debut for Drag City, and second proper album, has been described by a couple of writers as a sort of quirky “bedroom pop.” I wholeheartedly disagree. My Electric Family is expansive, radical, and ionospheric. Packed with reverb, sweeping moods, and surrealistic lyrical motifs, Bachelorette is way too large for any bedroom.

Each of the 11 songs on My Electric Family can certainly be categorized, loosely speaking, as pop. But that, too, is not accurate. When I think of “pop,” as it were, I tend to recollect music that would be kosher to play around my folks – you know, The Shins and shit. There’s something viscerally strange about Bachelorette that I can’t quite pinpoint. Her sound is certainly in the vein of Broadcast, Pram, and Blonde Redhead – tightly constrcuted songs, hummable melodies, a vague retro-futuristic slant, and an undeniable allure. However, the soundscapes themselves – constructed mostly from acoustic guitar, warm analog synthesizers, polyphonic vocal effects, and a variety of playful samples and bountiful noise flourishes – are tacitly otherwordly and atomic. On her MySpace, Alpers writes “Bachelorette took too many mushrooms and fell in love with a computer.”  That’s as great of a description as any.

While the disco-friendly “Mindwarp” and “Her Rotating Head” are beginning to make their rounds around the Interwebs – and are the obvious single choices – My Electric Family’s more askew corners are what make Bachelorette fascinating. “The National Grid,” with an atmospheric stomp rhythm, repetitive vocal sample backdrop, and rising swells of static, reminds me of the exciting first measures of Panda Bear’s “Comfy in Nautica” with a drugged out Enya as the backing band.  The phantasmagorical “Instructions for Insomnia,” featuring swirling and soaring analog melodies and driving cowpunk rhythm, evokes a bizarre bucolic mileu, like driving your truck offroad on a Martian farm out of The Sirens of Titan. “Long Time Gone” is a crafty space pop gem somewhere between a major key Kid A and the communication signal at the end of Close Encounters of the Third Kind. Album closer “Little Bird Tell Lies” is a fun, frolicking, childlike psych ditty that, while sounds simple enough upon first listen, is built upon immesaurably thick layers of disparate sounds that mesh together in an astonishingly seamless manner. Don’t even think about listening to this album on shitty iPod earbuds.

Even when Bachelorette plays it straightforward, like the psych-twang electric folk found on “Where to Begin” or the piano waltz meets Raymond Scott’s space age bachelor pad jam of “Dream Sequence,” it feels just as exhilerating. Perhaps it’s Alpers voice – it’s distinct and gorgeous in the traditional sense, and yet holistically unlike anyone else (much like Broadcast’s Trish Keenan). Alpers never sings toward you – she seems to be singing behind you with a fortissimo whisper, in the corner of the room with her Doc Brown shades obscured by a wall of technology imported from an alternate future.

Without trying to hype this too much, My Electic Family is truly a hazy, dreamy, kaleidoscopic journey, packed with imaginitve strangeness and oddball beauty – a downright perfect record that serves as the surprise masterpiece of 2009.

Let me break it down like this. Bachelorette is my absolute favorite new artist. I have not been this excited about someone relatively new since my first exposure to Deerhunter through Cryptograms (no offense to anyone else I’ve covered). Here’s a screen cap of my Last.fm this week:

screencap Bachelorette - My Electric Family

That’s what’s up.

Hope you don’t get sick of hearing about Bachelorette, because she’s getting a lot of coverage on this blog. Get used to it. Fuck the new Grizzly Bear album, My Electric Family is out now on Drag City. Picking this album up was the most important thing I did this week – I suggest you do that same.

Fagen-Becker Quality Rating
steelydan1 Bachelorette - My Electric Family

For fans of:  Broadcast, Tickley Feather, Electrelane, Pram

MP3 :::
Bachelorette – The National Grid
Bachelorette – Donkey

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What Does the Billboard 200 Say About America?

america What Does the Billboard 200 Say About America?

If Wikipedia serves me right, election 2004 saw the birth of the ‘two Americas’ meme – blue state/red state, Democrat/Republican, Target/Walmart, patriot/commie, etc. It seems like so long ago… Joe Lieberman was a Democrat, Usher and Now! 16 (where are we today – Now! 42?) were topping the charts, and your house was worth more than it is now. In the past decade the two Americas have multiplied like Jon and Kate into multitudes of Americas. How do I know this? Witness the schizophrenia that is the Billboard 200 chart.

This week the top 10 albums in this great land of ours are from artists such as Kenny Chesney, Busta Rhymes, Lady GaGa and Hannah Montana. That’s at least four Americas right there (none of which I really care to live in). There’s another America that includes Kate Voegele who is apparently a fictional character on television and Myspace.

Is this really the schizo musically retarded demographic into which we’ve disintegrated? Or does this melting pot simply represent the 12 year old girls and knuckle-draggers who still purchase music in mall record stores? Let’s cross-reference the iTunes charts.

Lady GaGa. Check. Kenny Chesney. Check. Hannah Montana. Check.

Damn.

Digital music was supposed to herald the democratization of music. No more hegemony from the likes of major labels since even the most fringe artists can easily access the market. Maybe I should be encouraged by the fact that Grizzly Bear has debuted at #8 in the most recent Billboard chart. But then again, the #11 artist made it by selling CDs exclusively through Cracker Barrel restaurants.

Perhaps we weren’t really oppressed by the evil major labels and controlled distribution. Perhaps many of us just have exceptionally poor taste in music. Or perhaps those of us with good taste in music tend to steal tunes rather than pony up at Sam Goody.

On second thought maybe not. Check out Pollstar which tracks concert ticket sales. Acts with average ticket prices over $100? Bette Midler ($142.48), Cher (148.72), Celine Dion ($114.30), The Eagles ($129.01), and Madonna ($153.88). Some people apparently haven’t been slapped hard enough by recession. And considering you can’t illegally download a concert for free, it’s not likely that the numbers are skewed by freeloading cool kids.

With all that said, I will say it’s refreshing to finally have a President who appears to appreciate music. Bush’s inauguration featured Wayne Newton, Brooks and Dunn, and Ricky Martin. Meanwhile, Obama gave us Kanye West, Stevie Wonder, Bruce Springsteen and… Hannah Montana. Gotta throw a bone now and then to that other America.

MP3 :::
The Books – That Right Ain’t Shit

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Bloodsport, Shoegazing for the Punks

l_45965f8c58eb9a95e7b4e9fed458cb20 Bloodsport, Shoegazing for the Punks

I like what I’m hearing on Nova Scotia-based Bloodsport’s debut EP Goodbye to the Holy Mountain. A moody, blacker than black dark pop collection of industrial chanties, Goodbye to the Holy Mountain is breathy and angular, somewhere between the fist-pumping anthems of Magazine and the concise shoegaze of Moose. The gloomy yet soaring “Japanese Democracy” offers the type of cinematic melody that remains subtle at first, acting as a type of hummable dirge that offers a revealing reward upon multiple listens (which is truly the most effective method of composing a catchy song).

My only critique is with the band name. I thought at first I got, like, a speed metal record in the mail. But that’s just a tertiary detail, of course. Goodbye to the Holy Mountain is not yet available in the states, but you can follow the group on MySpazz to get the skinny on future release details.

For fans of:  Film School, The Warlocks, Foreign Born

MP3 :::
Bloodsport – Japanese Democracy

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Win Tickets to See Bonnie Prince Billy and Bachelorette

3589216810_ffacc8fc4b_o Win Tickets to See Bonnie Prince Billy and Bachelorette

Hometown weird beard Bonnie ‘Prince’ Billy is swinging through the area Saturday, June 13th in support of Beware and Among the Gold, and I’ve got a pair of tickets to give away. Even more exciting is New Zealand native and Drag City representative Bachelorette opening up the show. I’m downright in love with Isolation Loops. Her latest, My Electric Family, just dropped last week, and something tells me you’re going to hear a lot more about this album in the near future.

Anyway, to enter the contest, send an e-mail to kb [at] thedecibeltolls (dot) com with your answer to this question: seeing as Bonnie ‘Prince’ Billy and Cheyenne Mize dug deep in the crates for some of their favorite duets, what song or songs from the early 20th century would you cover? The lady or gent with the most awesome answer will claim the pair of tickets. I plan to pick the winner over the weekend, so if you want to participate, get your answer in by Friday at 5 p.m. EST. Good luck!

WRFL presents Bonnie ‘Prince’ Billy with Bachelorette
Saturday, June 13th
The Red Mile – Lexington, Ky. (map that shizz)
9 p.m.
All Ages

MP3 :::
Bonnie ‘Prince’ Billy & Chyenne Mize – Silver Threads
Bachelorette – Doo Wop
Bachelorette – The End of Things

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