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Louisville’s Legendary ear X-tacy to Close?

earx Louisvilles Legendary ear X-tacy to Close?

I’m attaching the press release below, so that you know what I know. But if this is at all a possibility, this is quite a bellwether warning for indie music retailers, as ear X-tacy is one the nation’s most recognizable and lauded independent record retailers – a name that often finds itself in the same sentence as Electric Fetus and Amoeba Records…

UPDATE: I will be attending this press conference and will be tweeting live on The Decibel Tolls Twitter

John Timmons, founder of the independent record store and owner for nearly 25 years, is expressing his concern for the survival of ear X-tacy, as we know it.  Timmons will announce details of the store’s situation during a press conference Friday, February 12, at 10:00am, at the store,1534 Bardstown Road.

With the 10,000-square-foot prime location’s lease about to expire in March 2010, Timmons is focusing attention on the realities of a dire situation and the potential impact of losing one of the nation’s top 10 record stores.  The absence of this local treasure would have a financial impact on the local media, especially public radio.  It would affect concerts, promoters, and leave a void on Bardstown Road in the Highlands, an area already severely impacted by the economy’s downturn.  The synergy of Louisville’s local businesses would be affected and the city’s music and cultural landscape definitely would be altered.  The dynamics of “keep Louisville weird,” a local movement founded by John Timmons, would suffer from such a loss.

“This is not about business.  It’s about something my customers have built and have come to expect.   It’s about a place to experience music,” Timmons said.   “Many tourists seem to make ear X-tacy a destination point as out-of-towners have learned about ear X-tacy through national exposure.  I think the store is a place that makes Louisvillian’s proud.  It’s been a community effort to build it and it’s going to take a community to sustain it.”

  • The Dude
    The owner is a dufus, and lost what he started out to accomplish....oh yeah, he stole my girlfriend, dumped her, then married a doctor to coast in to old age. He always tried to use the media for free promotion as a Louisville Icon...huh...we do need a store that offers outlets for new music; they stopped doing that around 10 years ago.
  • Dude
    In what crazy, strange, alternate-to-our-own universe is Craig from Underground Sounds friendly or even helpful? Their selection is all right, I s'pose, but let's not pretend like that place is exactly welcoming.
  • kenny_bloggins
    Testing disqus comment
  • Kenny Bloggins
    Dude, it's all good - the JSKit is not my favorite commenting platform.

    Anyhoo, I really like Underground Sound a lot too, but the way I look at it, it's not just about ear X, but music retailers in general. If ear X can fail, we're all in trouble.
  • po
    Elaboration: I've long resented their pitiful selection in many genres (electronic comes to mind) despite their massive size, but worst of all was the attitude of many of the employees that embodied every snobby record store stereotype. Who do you think the middle- and high-school aged kid just getting into non-mainstream music is going to feel more comfortable with--Craig at Underground Sounds who can speak candidly, with great friendliness, and at length with someone no matter his or her level of musical knowledge, or the surly ex-metalheads and bored twenty somethings who act like you've shit on their porch when you ask which Sonic Youth album you should buy to get started. Obviously there's some repressed tween trauma that I'm exorcising here, but what I'm trying to get across is that I'd much rather patronize a store where the proprietor actually gives a shit whether or not the record that some wayward 13-yr-old wants to buy is actually any good--and knows whether that's the case for every record in the damn store. Ear-x-tacy has never been a record store like that, and as such I feel no great attachment to it, other than its role as a cultural institution in the city that I love. And if x-tacy, with all its cultural caché, can't stay afloat in Louisville, there seems to be little hope for another record store to fill its shoes--even if it carried the friendly vibe that I cherish Underground Sounds for.
  • po
    Elaboration: I've long resented their pitiful selection in many genres (electronic comes to mind) despite their massive size, but worst of all was the attitude of many of the employees that embodied every snobby record store stereotype. Who do you think the middle- and high-school aged kid just getting into non-mainstream music is going to feel more comfortable with--Craig at Underground Sounds who can speak candidly, with great friendliness, and at length with someone no matter his or her level of musical knowledge, or the surly ex-metalheads and bored twenty somethings who act like you've shit on their porch when you ask which Sonic Youth album you should buy to get started. Obviously there's some repressed tween trauma that I'm exorcising here, but what I'm trying to get across is that I'd much rather patronize a store where the proprietor actually gives a shit whether or not the record that some wayward 13-yr-old wants to buy is actually any good--and knows whether that's the case for every record in the damn store. Ear-x-tacy has never been a record store like that, and as such I feel no great attachment to it, other than its role as a cultural institution in the city that I love. And if x-tacy, with all its cultural caché, can't stay afloat in Louisville, there seems to be little hope for another record store to fill its shoes--even if it carried the friendly vibe that I cherish Underground Sounds for.
  • po
    Elaboration: I've long resented their pitiful selection in many genres (electronic comes to mind) despite their massive size, but worst of all was the attitude of many of the employees that embodied every snobby record store stereotype. Who do you think the middle- and high-school aged kid just getting into non-mainstream music is going to feel more comfortable with--Craig at Underground Sounds who can speak candidly, with great friendliness, and at length with someone no matter his or her level of musical knowledge, or the surly ex-metalheads and bored twenty somethings who act like you've shit on their porch when you ask which Sonic Youth album you should buy to get started. Obviously there's some repressed tween trauma that I'm exorcising here, but what I'm trying to get across is that I'd much rather patronize a store where the proprietor actually gives a shit whether or not the record that some wayward 13-yr-old wants to buy is actually any good--and knows whether that's the case for every record in the damn store. Ear-x-tacy has never been a record store like that, and as such I feel no great attachment to it, other than its role as a cultural institution in the city that I love. And if x-tacy, with all its cultural caché, can't stay afloat in Louisville, there seems to be little hope for another record store to fill its shoes--even if it carried the friendly vibe that I cherish Underground Sounds for.
  • po
    I'm very sad at what this represents for Louisville, but I loathe x-tacy and will not miss its presence in and of itself. Underground Sounds is so much better.
  • Lan
    noooooooooooooooooooooooooooooooooooooooo
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