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Tag Archive for 'ambient'

White Rainbow – New Clouds

krank137 White Rainbow - New Clouds

Effects pedals tweaker Adam Forkner, a.k.a. White Rainbow, has a lot going on for a relatively new artist. Besides touring Europe and supporting Deerhunter, dude also fist bumps Pauly Shore (see the Possibly Relevant links below). But what’s probably most relevant is that his new body of work for Kranky, New Clouds, is a funky, technicolor, rainbows-and-gumdrops psychedelic score for modern dance. Four songs, 60ish minutes long, and genre ambiguous, New Clouds is a beautiful and driving aural jaunt that, at the sake of sounding like a cheesedick, you just sorta get lost in. This is good vibes head music for folks who’s got, what Bad Brains called, that P.M.A. This album got my day started this morning.

I’ve tossed around the label “ambient music for people who don’t like ambient music” more than once, but it’s undeniably a good label for White Rainbow. There are no lyrics or verse/chorus actions (as you would expect from music often reviewed on this blog), but there’s lots of melody, lots of lush instrumentation, lots of texture, intricate rhythm, vague vocal chants, and a tension-and-release dynamic that makes New Clouds almost pop-oriented at times. If you haven’t peeped ol’ Rainbow yet, think of him as a shoegazey version of Growing that spent more time in the woods meditating, collecting cool threads, and partaking in the good peyote. And like Growing, who spent time frightening the Hot Chip fans on a supporting string of dates, White Rainbow also opens for a group infinitely inferior to him (Yacht… bleh) on a southeastern Asia vision quest. But hey, I can jive with whatever spreads his krautrock forest gospel.

New Clouds is a beautiful record, and surprisingly upbeat. Use it to get your day started. Or use it as the centerpiece in bong-rippin’ activities. New Clouds goes both ways. And it just dropped this week on Kranky. Go see about it.

For fans of: Belong, Growing, Cloudland Canyon

POSSIBLY RELEVANT :::
Most Psychedelic Times with White Rainbow, Pauly Shore, and the Hurdy Gurdy Bro
[Photos + Video] Deerhunter, Dan Deacon, and No Age with White Rainbow and More – 8.4.09 – Southgate House, Newport

MP3 :::
White Rainbow – All the Boogies in the World (excerpt)

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New Warm Ambience From Greg Davis

1179756116_l New Warm Ambience From Greg Davis

As a prodigal son of Burlington, Vermont, home to Ben & Jerry’s and *yaaaawn* Phish, it’s a goddamned miracle that Greg Davis isn’t churning out some rehashed hippie shit. On the contrary, Kranky’s Greg Davis is a student of a happier, warmer school of ambient music. Sublimely optimistic and viscerally beautiful, the just-released Mutually Arising, his first full length in seven years, is the summertime evening response to Tim Hecker’s and Keith Fullerton Whitman’s icier dronescapes.

As with most work in the modern classical/minimalist/drone genre, the album is meant to be enjoyed as a whole. However, the excerpt below should demonstrate what I’m talking about. “Hall of Pure Bliss” is just that – a canticle adoring the opening to a portal, or the soundtrack to sprouting flowers. Truly beautiful stuff.

Mutually Arising just dropped this week courtesy of Kranky.

For fans of:  Stars of the Lid, Tim Hecker, Labradford

MP3 :::
Greg Davis – Hall of Pure Bliss [excerpt]

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Brainwashing, Misanthropy, and Society: an Analysis of Boards of Canada’s Geogaddi

boardsofcanada Brainwashing, Misanthropy, and Society: an Analysis of Boards of Canadas Geogaddi

Recently, I opened a Tumblr account (kenny-bloggins.tumblr.com if’n yownta follow me) to post photos, graphic design work, and various sharable media. Whilst dickin’ around late last night, I tried to find an old website of mine hosted on the now-outdated University of Kentucky student server, since it had a lot of rad photographs of mine to upload on my new Tumblr page. Said website also featured a lot of various writing I had done during my freshman year in college, including an analytical piece I wrote for one of my English classes. I decided to keyword this paper to try to locate the old website. To my astonishment, I found that a number of different people – on websites, in other college papers, and even on Wikipedia – had cited this piece I wrote back in 2003 called Brainwashing, Misanthropy, and Society: an Analysis of Boards of Canada’s Geogaddi.

I wanted to publish this piece on the blog to share with you all, as well as to give the piece a more official source. You see, concerning the latter point, the paper is attributed to my nickname when I was 18, the name that appears on the title of the website – Mikey P Diddy. Yeah, that’s rather embarrassing. And since I wrote it when I was 18, the writing is certainly a very different style than how I write now. Evidently, I was a rather pretentious tool at that age that was too good to use phrases such as, I dunno, “dickin’ around” (again, note that I was evidently a pretentious tool known to his bros as Mikey P Diddy… Christ, that’s downright horrible).

Unfortunately, I don’t have the works cited page available. Roughly half the observations were mine, and half were various interpretations found in discussions on the old boardsofcanada.com message board. Otherwise, the good ol’ Encyclopedia Britannica was utilized. Again, this is a college paper, so I don’t expect a lot of folks to be terribly intrigued. But if you are, the full text and relevant Boards of Canada MP3s (your reward for reading, I suppose) are here for your perusal after the jump. 

Continue reading ‘Brainwashing, Misanthropy, and Society: an Analysis of Boards of Canada’s Geogaddi’

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Nudge – As Good As Gone

nudge Nudge - As Good As Gone

The latest offering from Los Angeles based Nudge (not to be confused with The Nuge), As Good As Gone, is a slow-burning, beautiful record. As a quick introduction, Nudge is Paul Dickow of Strategy, Honey Owens, best known for her contributions to Jackie O Motherfucker (whom you know and love if you’re reading this blog), and Brian Foote, best known as the rad dude at Kranky who hooks me (and, consequently, you the reader) up with interviews and promo albums.

While the subterranean groove and minor key construction on As Good As Gone evoke a more haunting, nighttime-appropriate flavor, there’s also a visceral optimism that runs underneath the record’s seven songs like groundwater. Perhaps it’s the playfulness between genres and moods, or the freewheeling construction of the songs… or perhaps not all noise/post rock/freak psych kids like to make nihilistic records.

The opener “Harmo” makes a most unusual, extensive use of harmonica you’re likely to hear anytime soon, setting the stage for a delightfully disjointed psychedelic IDM canticle, ending in widely sweeping whispering vocals that blow through your headphones like sandstorms. “Two Hands” operates as sparse stoner rock – fluid, emphatic bass lines set the anchor for ride-heavy drumming, swirling wah guitar, and melodic, ominous vocals. “Burns Blue” cultivates the latter, spookier repertoire of Roky Erickson circa “May the Circle Remain Unbroken,” proving once again the importance of space in a song – sometimes it’s what you don’t play that cultivates the most expansive soundscape. Closer “Dawn Comes Light” is the type of gorgeous ethereal chant shanty in the vein of Jessica Bailiff, Charalambides, and Fontanelle that made Kranky famous.

Nudge’s As Good As Gone lies as a cross-section between ambient, electronic, psychedelic, and (loosely speaking) pop, and handles all approaches with panache. It’s good stuff. As Good As Gone drops on September 7 courtesy of Kranky. (Preorder)

For fans of:  Cloudland Canyon, Flying Saucer Attack, Indian Jewelry

Fagen-Becker Quality Rating
steelydan2 Nudge - As Good As Gone

MP3 :::
Nudge – Two Hands

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You Kids Like Tonality-Focused Ambient Music?

gregkowalski You Kids Like Tonality-Focused Ambient Music?

Bay Area drone architect Gregg Kowalsky is one of Kranky’s newest offerings. Of course, Kranky is one of maybe four labels wherein if the skewed rectangle logo is present on any given album’s spine, said record will probably be blazin’. Kowalsky’s Tape Chants is no different.

While I enjoy ambient music, there are very few ambient artists I can truly cheer for outside Christian Fennesz and William Basinski. However, Kowalsky, who holds a masters in electronic music performance and recording, is one of them. The potent alien oscillator tone that opens “Vi-Vii” makes your eyes dart about the room, provoking you to think someone else is present. Sound interesting to you? It should, I love that feeling. And like Basinski, Kowalsky has an affinity for tape loops. For live performances, Kowalsky uses between six and ten cassette recorders and commercial stereo units scattered about the perimeter of the performance space. The amplitudes of the individual tape players are adjusted, and Gregg walks around the space listening to the overall mix, acting as a true sound alchemist. As he describes himself “the live set fits somewhere between sound installation and performance.”  Many of the tapes from these live installations make up his sophomore release.

Sure, to an extent, Kowalski makes academic music. But you don’t have to be a music academic to find the timbre, tonality, and serendipitous deameanor of tape loop performance completely engaging. Kowalski craftily cultivates a sort of breathing organism in his fascinating thick analog stew – creating ambient music to get excited about.

Tape Chants is available now courtesy of the good bros and broettes at Kranky. Greg is also hitting the road this week, so peep his MySpace page for the latest date confirmations.

For fans of:  Fennesz, Brian Eno, Seefeel

MP3 :::
Greg Kowalski – Vi-Vii [Excerpt]

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Some Old School Panda Bear

jane1 Some Old School Panda Bear

For whatever reason, I still find Merriweather Post Pavilion really hit-or-miss. Miss the weird shit, I guess. As such, I tend to revert back to Danse Manitee for my Animal Collective fix, as well as their many side projects that had varying degrees of interest. One of the more overlooked releases was the record cut between Panda Bear and his best bro Scott Mou. The project was dubbed Jane. Scott and Noah worked at New York’s Other Music and recorded music together at the former’s apartment. They released a couple of albums, but Berserker was the only one with any distribution (since it jumped on the Paw Tracks catalog, obviously).

jane2 Some Old School Panda Bear

Berserker was released in the spring of 2005, between Noah’s Young Prayer and Person Pitch. You certainly hear some embryonic forms of what was to come – warped ambient textures over fractured, booty bass heavy beats.  Jane resembles an almost primordial Person Pitch… on lots of psychedelics.  Mou was a professional club DJ at the time, and they both considered Jane to be a “dance” project, as indicated on Noah’s description of Bersker via Paw Tracks:

We both really liked dance music and dance music from the very beginning and I mean stomps and shouts and claps and stuff like that. Of course we like all kinds of other stuff too, but it’s the dance that gets us going on Jane. We played once at the Animal Collective practice space, but found it much more pleasant to play at Scotty’s home in Greenpoint where he had his mixer and simple microphones and we would drink brews and talk about all kinds of things and then play. I would usually sing about stuff I was thinking about that day and Scotty would move with it, playing jams and it would all kind of pour out. We liked all the mechanical robo dance jams from Detroit and Chicago and Germany but we wanted to do something with less 0’s and 1’s and more souls.

Despite what he says, I would invite you to try to boogie down to this record. Take video and send it to kb [at] thedecibeltolls [dot] com so I can lol, por favor. But then again, I suppose “Slipping Away” does start to get pretty funky past the six-minute mark.

Anyway, Berserker isn’t for everyone, but if you slept on this release and/or miss the odd electronic explorations of Animal Collective’s pre-Sung Tongs material, the songs below are not to be missed. Moreover, it’s interesting to hear this album in relation to Panda Bear’s musical trajectory, especially since it was recorded during the transition between the acoustic-friendly Young Prayer/Sung Tongs era and the sample-saturated, dub-informed Person Pitch/Strawberry Jam period. In retrospect, it seems that Mou had a greater influence on Noah than anyone gives him credit for.

Jane’s Berserker is available through Paw Tracks. You should buy it so you can enjoy the Grateful Dead skulls on the back over.

jane3 Some Old School Panda Bear

Awesome.

For fans of: Aphex Twin, Odd Nosdam, Tim Hecker

MP3 :::
Jane – Slipping Away
Jane – Berserker

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Russian Circles, Lichens, and More Coming to Louisville, 4.30.09

april30th2009 Russian Circles, Lichens, and More Coming to Louisville, 4.30.09

Ask and ye shall receive!

A couple of posts ago, I said that Louisville was not hoppin’ in the awesome show department so far this year, and they needed to step up their game (like the Cards should have two weeks ago, but that’s another story). And what do ya know, all ages art space Skull Alley decided to step the fuck up!  Democracy in action, ya’llz.  This makes up for the recently announced, totally bummer Forecastle lineup (two nights of Widespread Panic is two too many nights, ya heard?).

Russian Circles, Sweet Cobra, Lichens, Mountain Asleep
Skull Alley (1017 E. Broadway)
Thursday, April 30
7 p.m. – $10
All Ages

And the rest of the tour:
WED APR 22 – Grand Rapids MI, Mix Tape Cafe
THU APR 23 – Indianapolis IN, Radio Radio
FRI APR 24 – Detroit MI, Magic Stick
SAT APR 25 – Cleveland OH, Grog Shop
SUN APR 26 – Baltimore MD, The Ottobar
MON APR 27 – Hoboken NJ, Maxwell’s
TUE APR 28 – Philadelphia PA, First Unitarian Church
WED APR 29 – Pittsburgh PA, Smiling Moose
THU APR 30 – Louisville KY, Skull Alley
FRI MAY 1 – Chicago IL, The Bottom Lounge
SAT MAY 2 – Milwaukee WI, Cactus Club
SUN MAY 3 – Minneapolis MN, Triple Rock

MP3 :::
Russian Circles – Verses
Lichens – Vevor of Agassou

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