This is a special Super Swingin’ Mix… because it might be the last one ever. I threw links in this post like you eat lunch.
As I’ve mentioned before, Swan Fungus is one of my favorite blogs out there (along with WFMU’s and Raven Sings the Blues). With regard to the former, I like the author’s idea of yanking a bunch of news stories together and then posting totally righteous jam hives that may or may not have anything to do with what he’s writing about. I’m going to steal that idea (with attribution of course), but up the ante a bit and try to relate the music to a news story. Anton Newcombe does this a lot on his MySpazzz blog, which is how I accidentally got into an online dork fight with him – a story I’ll save for another day. I take that back – we might all be dead on Wednesday if CERN fucks up their lil’ Big Bang experiment. So maybe you won’t get that story from me. That’s probably the least of your concerns. Continue reading ‘The End is Nigh, Fuckers – The Apocalypse Mix’
Click on the photos to see a larger, higher resolution version.
Despite that fact that the sun radiated full force on Union Park, baking the crowd in 95+ degree weather, Boris was too dark and mysterious to not wear black. Czech the gong.
Boris’ set was very tight and put the crusty dude contingent of Pitchfork into a frenzy. I thought the set was a tad disappointing since they focused more on their metal oriented material rather than their more drone and psych oriented trip-outs on Rainbow and Altar. Though I do understand why they didn’t play those songs, as both of those records were collaborations with Michio Kurihara (of Ghost) and Sunn O))), respectively. Nevertheless, it was nice to see Pitchfork add an evil aspect to the Sunday lineup.
Of course, for all sinister live shows, it helps to bring your best blankey for sitting down solutions.
The only thing at Pitchfork Music Festival 2008 that was more metal than Boris was the mascot for one of the fine BBQ vendors on the concourse. Meet Righteous Oinker.
Straight from my view from the cheap seats, here’s the Decibel Tolls’ preview for some choice artists I’m anticipating seeing at this year’s festival. My prophecies for these shows have been gleaned from my experience with a couple of these artists in the past, general intuition, and my magic 8-ball. First, it should be noted that the clouds are currently graying here in Chicago, and it looks like the first day of rain we’ve had in, oh I dunno, two weeks or so will conveniently happen during the festival. Just our luck, right? Should be a delightfully apocalyptic time!
It’s somewhat unfortunate that Caribou was slotted for a 2 p.m. show. As with any psych group worth their salt, Caribou offers very enthralling visual aspects including background images that look like they were taken out of a Julian House book. No matter, Caribou has the chops to engage with or without seizure-inducing lights. They hang tough with two drummers, including Dan Snaith himself. When I saw Caribou with Battles at the Metro in November, it was an exercise in percussive fortitude. Since he’s not promoting a particular album at this point, it’s a safe bet that Caribou will dig deep throughout his catalog, which is generally the preferred position for me. Caribou is absolutely not to be missed. [Saturday : 2 p.m. : Connector Stage]
I had the privilege of being involved with two different Animal Collective shows, and if I was smart, would’ve started this blog back then. When you help run a concert through either a venue or your college radio station, it’s easier to score interviews and sound bites. But enough about my stupidity… The first show was in the last wake after Sung Tongs in the spring of ‘05, right at the time the group was moving away from more acoustic material. Jane (Panda Bear and friend Scott Mou) was getting ready to drop the excellent but zoned out Berserker, and you certainly heard a lot of that. It was very droney, and the crowd seemed somewhat polarized by the lack of Sung Tongs songs played. It was great nonetheless, but would’ve been better to see in a theater instead of a standing room recital hall. Animal Collective understands this to an extent, so I would be surprised if the outdoor Union Park setting didn’t encourage the more pop-oriented side of their repertoire (with a little Here Comes the Indian thrown in for good measure and to draw a line in the sand). The second time was at The Dame in Lexington in May of ‘07. AC toured sans Deakon, and considering the electronic structures on what was to be Strawberry Jam, it didn’t much matter. The performance was unrelenting. They played non-stop, with all three members in queue facing the side of the stage instead of the front, and swaying in unison like a cult. It was a sinister, but dare I say, upbeat and almost danceable performance. Every song morphed into the next, and most songs were unrecognizable until Avey Tare throated out the first lyrical yelp. Every Animal Collective show is different, and that’s part of what makes them one of the most exciting, relevant groups of today. Panda Bear is a super rad dude, by the wayz. [Saturday : 9 p.m. : Aluminum Stage]
Boris has a wealth of source material to choose from, with their prolific output of releases and collaborations. Though some of their best stuff to date has come from their work with Michio Kurihara of Ghost and Sunn O))), Boris, either out of respect or functionality, will probably not perform these songs. And I certainly would be surprised if we heard anything from their Merzbow split Rock Dream. No matter what the show shapes up to be, Boris will be the loudest band, and most immovable object, at Pitchfork. I’m not a bettin’ man, but I would put money on that (unless Spiritualized shows up with, like, 30 goddamn dudes). If “Blackout” from Pink starts rumbling from the PA at 10,000 watts of evil, all bets are off. Shut down the park, call the police. [Sunday : 2 p.m. : Connector Stage]
This might be wishful thinking, but I want, as mentioned, Spiritualized[Sunday : 7 p.m. : Aluminum Stage] to show up with 30 goddamn dudes. Like this:
If you didn’t get tickets yet, well, they’re gone except for tonight’s performances. But, you can catch some streaming live intarweb action at the festival’s website. Pitchfork Music Festival 2008
It’s somewhat unfortunate that Caribou was slotted for a 2 p.m. show. As with any psych group worth their salt, Caribou offers very enthralling visual aspects including background images that look like they were taken out of a 
.jpg/800px-Boris_(band).jpg "Noise Consultations: Pitchfork Music Festival 08 Preview")
Boris has a wealth of source material to choose from, with their prolific output of releases and collaborations. Though some of their best stuff to date has come from their work with 
