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	<title>The Decibel Tolls &#187; dan snaith</title>
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	<link>http://thedecibeltolls.com</link>
	<description>A daily, usually vulgar, music blog focused on psychedelic, shoegazing, space rock, folk, post rock, hauntology, ambient/noise, and related genres.</description>
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		<title>Caribou &#8211; Swim</title>
		<link>http://thedecibeltolls.com/caribou-swim/</link>
		<comments>http://thedecibeltolls.com/caribou-swim/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 22:04:49 +0000</pubDate>
		<dc:creator>Kenny Bloggins</dc:creator>
				<category><![CDATA[Praise and Malaise]]></category>
		<category><![CDATA[caribou]]></category>
		<category><![CDATA[dan snaith]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[psychedelic]]></category>
		<category><![CDATA[swim]]></category>

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		<description><![CDATA[
Dan Snaith, a.k.a. Caribou a.k.a. Manitoba a.k.a. &#8220;The Professah,&#8221; seems to follow a chronologically retroactive pattern. His earliest work reflected IDM and glitch standards prolific in the &#8217;90s. Then his breakthrough full-length, Up in Flames, evoked silky &#8217;80s dream pop and shoegaze. 2005&#8217;s The Milk of Human Kindness took cues from the heyday of krautrock. This eventually [...]]]></description>
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<p>Dan Snaith, a.k.a. <strong>Caribou</strong> a.k.a. Manitoba a.k.a. &#8220;The Professah,&#8221; seems to follow a chronologically retroactive pattern. His earliest work reflected IDM and glitch standards prolific in the &#8217;90s. Then his breakthrough full-length, <em>Up in Flames</em>, evoked silky &#8217;80s dream pop and shoegaze. 2005&#8217;s <em>The Milk of Human Kindnes</em>s took cues from the heyday of krautrock. This eventually propelled Snaith squarely in the baroque pop part of the space-time continuum circa 1966 in the form of <em>Andorra</em>, an album that all but references <a href="http://thedecibeltolls.com/the-left-banke-desiree/" target="_blank">The Left Banke</a> by name. So what of <em><strong>Swim</strong></em>? Will Caribou continue his time traveling trajectory, make good on the album title, and release his surf rock / doo wop / Skiffle album? Not quite. Caribou hinted with the somewhat disappointing &#8220;Odessa&#8221; a possible move toward more dance-oriented material. For the most part, this is true. However, the result is much more interesting than &#8220;Odessa&#8221; suggested.</p>
<p>Snaith makes it clear this time around that he&#8217;s going balls to the wall, trying on a variety of new hats. &#8220;Jamelia&#8221; juggles dub beats, Colin Bluntstone-channeled vocals, orchestral arrangements, and non-linear songwriting in one of Caribou&#8217;s most driving efforts. &#8220;Bowls&#8221; is an exploration of the more minimal and ambient works under the Manitoba moniker, replete with David Fridmann ethereal harp accents, Aphex Twin-informed minimal techno, and glitch flourishes.  &#8221;Hannibal&#8221; acts as a compromise betwixt the splattered rhythms, bubbling low end, and horn explosions of Scratch Perry and the fluid, galactic vibe of Boards of Canada circa <em>Twoism</em>. &#8220;Kaili&#8221; shows Caribou experimenting with acid house samples over pop vocals and Love-inspired psychedelic orchestration. The idea has more value than the actual product, but the bold jump should be applauded nonetheless. Despite some pitfalls, <em>Swim</em> showcases some real moments of brilliance and clarity, best demonstrated on the psilocybin-saturated &#8220;Sun&#8221; &#8211; an angelic, blissed out motorik club banger augmented with hauntological synths and the self-evident mantra of &#8220;sun.&#8221;</p>
<p>Though not as strong as his mid-decade releases, <em>Swim</em> is a surprising follow-up that, while not groundbreaking, is thoroughly enjoyable and a great juxtaposition of electronic and psych genres spanning every decade Snaith has covered in his impressive repertoire. Moreover, <em>Swim</em> set a new paradigm for Caribou by breaking his old pattern, which may be one of the album&#8217;s biggest triumphs.</p>
<p><em>Swim</em> drops courtesy of <a href="http://www.mergerecords.com/" target="_blank">Merge</a> on April 20 (hurhur, 420 lol), which should be available for pre-order soon. And lest ye forget, Caribou <a href="http://thedecibeltolls.com/caribou-with-toro-y-moi-coming-to-louisville/" target="_blank">swings through Louisville</a> with Toro y Moi on June 8th at the Zanzabar.</p>
<p><strong>MP3 :::</strong><br />
<a href="http://thedecibeltolls.com/mp3/Caribou_-_Sun.mp3"> Caribou &#8211; Sun</a></p>
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		<title>Caribou Speaks For the Trees</title>
		<link>http://thedecibeltolls.com/caribou-speaks-for-the-trees/</link>
		<comments>http://thedecibeltolls.com/caribou-speaks-for-the-trees/#comments</comments>
		<pubDate>Tue, 02 Dec 2008 16:12:16 +0000</pubDate>
		<dc:creator>Kenny Bloggins</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[caribou]]></category>
		<category><![CDATA[dan snaith]]></category>
		<category><![CDATA[manitoba]]></category>
		<category><![CDATA[marinoaudio]]></category>
		<category><![CDATA[polaris]]></category>

		<guid isPermaLink="false">http://thedecibeltolls.com/?p=160</guid>
		<description><![CDATA[
This is my article cross-posted from Tiny Mix Tapes.  Since they&#8217;re cool about me reposting my articles on my own blog without any exclusivity clauses, you should make like a tree and visit them and click on their ads and shizz.  And speaking of trees, Caribou speaks for them&#8230;
For someone who&#8217;s named himself after majestic [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter" src="http://freshsides.files.wordpress.com/2007/07/caribou.jpg" alt="caribou Caribou Speaks For the Trees" width="450" height="293" title="Caribou Speaks For The Trees" /></p>
<p>This is my article cross-posted from Tiny Mix Tapes.  Since they&#8217;re cool about me reposting my articles on my own blog without any exclusivity clauses, you should make like a tree and <a href="http://www.tinymixtapes.com" target="_blank">visit them</a> and click on their ads and shizz.  And speaking of trees, Caribou speaks for them&#8230;</p>
<p>For someone who&#8217;s named himself after majestic deer and a lush foresty Canadian province, as well as sample and title songs that greatly concern nature, it&#8217;s no surprise that Dan Snaith is stoked on saving the Earth.  In addition, as Snaith has a day job as a teacher, it should be no surprise he also likes to give back.<span id="more-160"></span></p>
<p>The man best known by <strong>Caribou</strong> announced last week that he will be donating a vast majority of his $20,000 Polaris Prize money, coin he won for 2007&#8217;s {Andorra},  keeping a small portion to fund his forthcoming album.  The money will be given to environmental non-profit Ecojustice, as well as the Stephen Lewis Foundation.</p>
<p>&#8220;I have always thought of Canada as an environmentally progressive place&#8230; however, recently the Canadian government has acted as a global obstacle to climate action. In a study this year Canada ranked 29th out of 30 industrialized nations for tackling climate change,&#8221; Snaith said, remarking on his choice of giving to Ecojustice.  The Stephen Lewis Foundation is a project-based charity helping communities affected by the AIDS epidemic throughout Sub-Sharan Africa.</p>
<p>Heck of a guy, that Snaith.  Hopefully the money given to Ecojustice will be invested in getting real legislative efforts to come to fruition, and not used on another Live Earth (Sorry, Al).</p>
<p><strong>MP3 :::</strong><br />
<a href="http://www.thedecibeltolls.com/mp3/Caribou_-_Medium_Sized_Working_Dog.mp3" target="_blank">Caribou &#8211; Medium Sized Working Dog (Steady Steady)</a></p>
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