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Oblisk – Weather Patterns

l_f9ff5c6f8d96cbbc46af5f6700dd8e31 Oblisk - Weather Patterns

I’m making it my personal mission, my top task on the action items list, to spread the gospel of Detroit quartet Oblisk. This is an amazing new band that, no exaggeration, might be the best American shoegaze group (and it’s gritty shoegaze) these ears have ever heard. I will do everything in my power to make sure these guys sell billions of records, and it’s a goddman travesty that this is not the case.

Anyway, there’s no need for any sort of overlong, overhyperbolic review for Oblisk’s Weather Patterns, despite the fact I’m wont to do such. The brass tacks of the matter is that Oblisk has crafted an absolutely beautiful record that both travels at high speeds above the troposphere and slithers within cracks in the earth. It’s odd in many ways that Oblisk hails from a decaying industrial metropolis. Sure, the minor keys, grimey fuzz, distant tones, and distorted vocals suggest a bit of an ominous environment. But Weather Patterns is packed with mystique and excitement – a record that wonders and wanders.

Oblisk’s loyalties are outlined with a line in the sand – this is new psychedelia. That is to say, this is not a group rehashing flower power like the Paisley Underground did. Oblisk is a group that synthesizes what’s good in psychedelia and adds an opaque gloss. Weather Patterns evokes pure Spiritualized-informed space rock, kraut a la Amon Duul, a touch of post-punk, darkly veiled and midtempo pop-oriented shoegaze in the vein of Medicine and Slowdive, and eastern mysticism (best exemplified on instrumental “Blue Iceberg”).

The epic “Tiger Fighter,” and I’m calling this right now, is the “Leave Them All Behind” of this decade. It’s fucking gorgeous and I don’t want to ruin it by yapping on about it. The song is available below along with one other sample (and it took me forever to narrow down my selection for sharing to two because the album is sick).

Buy this record at Candy Colored Dragon. Do it.

For fans of:  Slowdive, Deerhunter, Spiritualized

MP3 :::
Oblisk – Tiger Fighter
Oblisk – Epicenter

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You Need to Know About Oblisk

l_f9ff5c6f8d96cbbc46af5f6700dd8e31 You Need to Know About Oblisk

…because they riiiiiiip. Jesus Walker Christ, this band is fantastic. And they’re coming to Louisville soon (more info on that Monday or Tuesday). I plan to publish a review of their just-released full length Weather Patterns as soon as I get it, but right now I’m thoroughly vibin’ to last year’s Tune In/Tune Out. This Detroit-based collective has unequivocally concocted one of the finest, most well-balanced, most seamlessly meshed exploration of classic psychedelia, shoegaze, kraut rock, and experimental movements with a melodic sensibility. Oblisk is completely ridiculous. They exist to spread merriment to me and you, nothing more. I have a lot more to say about them in due time, but please enjoy what I’m enjoying right now.

The cover art is awesome, too. I love industrial imagery in art:

oblisk You Need to Know About Oblisk
What’s popular these days anyway? Passion Pit? Memory Cassette? The Michael Jacksons? I dunno, but fuck that jive. Oblisk. Get on it. Your shit’s about to get stratospheric.

For fans of:  Deerhunter, Ride, Faust

MP3 :::
Oblisk – Parallel
Oblisk – Tune In/Tune Out

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The Gories and Oblivians Reunite This Summer

Gories The Gories and Oblivians Reunite This Summer

In what’s probably the only good news coming out of Detroit lately, ‘80s garage gods, The Gories, are planning a summer reunion tour along with Memphis cohorts, Oblivians. The Gories broke up back in 1993 – the same year the Ford Taurus was America’s best selling automobile – as front man Mick Collins made the permanent transition to his side project, The Dirtbombs. With only three US dates scheduled, this ticket is hotter than a GTO’s clutch at the dragstrip (RIP Pontiac):

June 19, 2009 – Hi Tone, Memphis TN
June 20, 2009 –
Hi Tone, Memphis TN
June 27, 2009 –
Majestic Theater, Detroit MI

The remaining dates are scattered throughout Europe where American garage bands seem to always get a better reception than they do here in the US. Jack Oblivian played SXSW earlier this year with his latest band The Tennessee Tearjerkers but his namesake band, Oblivians, hasn’t been heard from since its final ’97 opus Play 9 Songs with New Orleans keyboard provocateur, Mr. Quintron.

For the uninitiated, The Gories repertoire is best exemplified by 1990’s I Know You Fine, But How You Doin’ which shows a bit more polish than previous efforts while maintaining a decidedly lo-fi sound. Berklee School grads they ain’t – think of Dead Moon but with rhythm.

Oblivians’ collaboration with Mr. Quintron feels like the soundtrack to a tent revival complete with baptisms and an afternoon barbeque. Popular Favorites spawned the quasi-hit “Guitar Shop Asshole” which paraphrases Chris Rock’s memorable performance in I’m Gonna Git You Sucka (‘how much for just one string?’).

If you happen to be within driving distance of Memphis or Detroit you’ve been warned that this will be the most raucous show you’re likely to see until Elvis and Lux Interior resurrect for a double bill in Vegas.

MP3:::
The Gories – Hey, Hey We’re The Gories
Oblivians – Feel All Right

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