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A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner

newsonthemarch A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner

Haven’t had a news roundup in a while, so let’s do this like Buddhists…

I’ve been grooving on Psychic Ills’ Mirror Eye since it dropped last month. It’s not groundbreaking material, but it’s good enough, and it’s the sound I enjoy in modern music (which is, let’s be honest, anything droney with lots of reverb and the tweaking of various knobs). I’d give Mirror Eye a solid B. Pitchfork disagreed (a 1.4 no less), and the Ills decided to post a response… for a bit.

Swan Fungus broke this story last week, but since then, the blog entry has disappeared!  Does Pitchfork have wiseguys that pay you a visit for your skulduggery?  Shit is nefarious, dudes.  Gee whiz… so anyway, the Ills wrote a review of P4Ker Joe Colley’s review and it cultivated a respectable amount of lolz.

From all we gather Colly’s transparent interest in and knowledge of music seems limited to recent trend fucking, and while that doesn’t shock, the fact that he gets so bent out of shape about music that he’s not into is interesting at the very least. Definitely not a fan of “abstract tendencies” or “eschewing traditional means of songcraft” Colly seems content in not having a mind of his own.

psychic%20ills3333 A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner

The response written was not a sour grapes type of retort – it was witty, intelligent, and honestly, they had a bad break with this review and were fairly justified in firing up the keyboard.  Colley admits, indirectly, to liking feel good crap your hands say yeah pop, so it’s no wonder that Mirror Eye harshed his mellow. But now… now the blog entry is gone!  Has a bounty been placed?  Sinister.

Well… thinking logically here, though I would love to uncover some sort of conspiracy with hipster shadow people and deep throats, the Ills were probably advised by management to not get into a pissing contest with the mighty ‘Fork.  Regardless, I’m still shooting Bob Woodward an email.

Perhaps all this will help generate more (and I think deserved) buzz about Mirror Eye, as this writer points out, since a dreadful review gets more exposure than a lukewarm one.  And that makes sense – wouldn’t you, as an artist, rather illicit any response, good or bad, than instill complacency?

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40150_lg A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a StonerA calmer and more genial Brian Jonestown Massacre is ready to hit the road next month. Though, I should mention that I’m not going to make any cracks at Anton Newcombe in this article. Sure, there’s little doubt as to Newcombe’s status as being absolutely batshit crazy, but this makes him too easy a target. So, despite TMT’s penchant for poking fun at some artists who we do genuinely like, ragging on Anton is akin to igniting a bag of dog poop on your curmudgeonly neighbor’s porch. You know what you’re getting into and, hence, it’s not really worth it. So to that end, I just wanna chime in here to establish the following premises:

puce A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner Anton and the latest (seventh perhaps?) incarnation of the Brian Jonestown Massacre are touring.
puce A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner The BJM are amazing live, under the conditions when everything goes to plan.
puce A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a Stoner Things have been on plan in the last couple of years.

Therefore, you should go see them (make haste!). Expect a cross-catalog setlist, at least one face-kick, and music that’s better than the majority of what’s coming out these days. Oh, and you lucky bastards who live on the Left Coast will get to witness our leather jacket-clad boys open for Primal “fuckin’” Scream! And I hate each and every one of you for this.

03.16.09 – Los Angeles, CA – Club Nokia #
03.17.09 – San Francisco, CA – The Filmore #
03.20.09 – Portland, OR – Crystal Ballroom
03.21.09 – Seattle, WA – Neumos
03.24.09 – Denver, CO – Ogden Theater
03.26.09 – Minneapolis, MN – Turner Hall
03.28.09 – Chicago, IL – The Metro
03.29.09 – Cleveland, OH – The Grog Shop
03.30.09 – Pittsburgh, PA – Rex Theater
04.02.09 – Boston, MA – Paradise Theater
04.03.09 – Northampton, MA – Pearl Street
04.04.09 – Philadelphia, PA – Trocadero
04.06.09 – Washington, DC – 930 Club
04.07.09 – Carrboro, NC – Cat’s Cradle
04.08.09 – Asheville, NC – Orange Peel
04.09.09 – Nashville, TN – Exit/In
04.10.09 – Atlanta, GA – Variety Playhouse
04.11.09 – Memphis, TN – Hi Tones
04.13.09 – Dallas, TX – Granada Theater
04.14.09 – Austin, TX – Emo’s
04.16.09 – Tempe, AZ – Club House

# Primal Scream

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marijuana-cancer-study A Bounty on Psychic Ills, BJM Take the Freak Wagon on Tour, plus Roger Ebert is a StonerFinally, it looks like the Chicago Sun Times’ Roger Ebert has, indeed, acquired a prescription for medical marijuana.  His Feb. 8 entry Ending up in a kind of soundlessly spinning ethereal void as we all must drops some next level science on yr. dome.

As you probably know, Ebert has had serious health problems recently, so it’s fair to postulate that he took some max strength pain killers and wrote a totally insane journal post adorned with fractal art.  It’s one of the more obtuse career moves I’ve seen a writer do – and also one of the more entertaining.

I certainly wish him the best, as I think Ebert is one of the most intelligent and, most importantly, fair critics in the game right now.  But godddammmm. That was the most 420 shit I’ve ever read that didn’t feature the frequent utilization of the pronoun “man.”

MP3 :::
Psychic Ills – Eyes Closed
The Brian Jonestown Massacre – Here It Comes
Ariel Pink’s Haunted Graffiti – Getting High in the Morning
Frank Zappa – Flower Punk

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Psychic Ills – Mirror Eye

psychic%20ills3333 Psychic Ills - Mirror Eye

I failed to mention last week that Psychic Ills also dropped a heavy one on Obama day last week.  Mirror Eye is out now and sounds mighty nice. Replete with skulduggery and a radiating sense of paranoia (not to mention better production this time around), Psychic Ills do well to keep Social Registry evil.

“Mantis” comes correct with tribal bangin’ and a fluid bass line riding the song through ten big minutes of finding yourself lost in a cave.  “Eyes Closed” offers a slight kraut feel, or if you will, modulating jungle bogged down on purple drank, with the sinister aura that Indian Jewelry perfected. Both dirges make supreme use of space – sounding bigger and expansive by what’s not there.

Recommended.  Grip it here and save a couple of bucks.

MP3 :::
Psychic Ills – Mantis
Psychic Ills – Eyes Closed

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All Your Base are Belong to Belong

up-belong All Your Base are Belong to Belong

Sure, the best-of list is already out, but I would be remiss to not take this opportunity to admit missing a few pretty good recordings this year.  New Orleans’ Belong was one of them, and I stumbled upon said artist by way of a time machine.  I was rummaging through a stack of old magazines when I found a copy of Arthur from the summer of 2006 – the one with Brightblack Morning Light on the cover and their interview where they talked about how rad they think nature is.  I had read “Heavy Air” before, a much better title for an article on Belong than the stupid Internet meme I referenced.  However, something really struck a chord with me reading it this time around.  But more on that in a minute…

Belong’s latest is called Colorloss Record.  It dropped a while ago, actually.  But I’m slow at the punch sometimes.  Colorloss Record is a collection of covers, though you probably wouldn’t discern that from just listening.  It doesn’t sound like any of the originals.  Therein lies the power of Belong, covers or originals – Belong appropriates elements of shoegaze, ambient, minimalism, and drone without falling into or sounding like any of the aforementioned genres.  They sound like a pop band through a thick filter, like listening to a neighbor’s stereo.  Really unusual, and pretty exciting.  The volatile surges and swells of balmy, warm analog noise peppered throughout invoke the eroded and washed haze of William Basinski’s The Disintegration Loops by way of Kevin Shields.  Despite hailing from a warm and humid climate, I must say that Belong sounds quite majestic as the soundtrack to the silent and cold winter night we’re enjoying here in Louisville tonight.

Belong is Turk Dietrich and Michael Jones, and both gentlemen probably have a lot of love for Tim Hecker, Lichens, and the Goslings.  But on Colorloss Record, they show a love for the likes of Syd Barrett, July, and Tintern Abbey, laying to tape some obscure covers in a completely unrecognizable, sonically aquatic fashion.  Dig “Late Nite” and “My Clown,” por favor.  Yes, the music really is supposed to sound something like the transmission of an extraterrestrial and/or underwater shortwave station broadcasting distant psychedelic pop music, and it’s unabashedly balls to the wall. Totally otherworldly.  Continue reading ‘All Your Base are Belong to Belong’

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The Decibel Tolls Best Albums of 2008

playin The Decibel Tolls Best Albums of 2008

Oh good, glad to see you like my illustration.  Yeah, I had some downtime and wasn’t feelin’ too creative or too much in my graphic design game as far as doing something special for The Decibel Tolls year-end list.  So Lana and I started talking, and it came to us that it would be hysterical to do a collage with people like Bradford Cox eating that Ezra Comma dude from Frankenstein Weekday or whoever, and Franz Ferdinand… stuff like that.  I didn’t have time to add Lil’ Wayne.  And then I had to make, like, the fuckin’ universe as the backdrop.  That’s how we roll here at the Decibel Tolls – no fun, tasteful graphic to designate this article as the accumulative best-of list.  Nope, just crude images of artists I like with their heads detached eating shitty bands.  I’m additionally thrilled that I was able to describe the image even further despite the fact that it’s already annotated.  I rule.

I put some serious thought into this list, and did a bunch of narrowin’ down.  There were other jam hives I was rather infatuated with this year, such as releases from Magik Markers, Burning Star Core, and Vivian Girls.  But I wanted to do just the standard top ten this time around.  No reason to not do things standard every now and again… Continue reading ‘The Decibel Tolls Best Albums of 2008′

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Blues Control – “Behind the Skies” and “Always on Time”

BluesControl Blues Control - Behind the Skies and Always on Time

I’m probably really late on this, but I’m not really a bandwagon person anyway.

Blues Control, Russ Waterhouse and Lea Cho of Watersports, has always been rather hit or miss for me from what I had heard from them.  It seemed time to really give them a go last week when I saw Puff at Ear X-tacy for the try-me price of $5.  I love zone out times, but moments on Puff are almost too zone out for me.  However, there are some real flashes of brilliance, as well. Continue reading ‘Blues Control – “Behind the Skies” and “Always on Time”’

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Feelin’ Groovy with Magik Markers

 Feelin Groovy with Magik Markers

I was really stoked on czechin’ the new Lindsey Buckingham joint the other night, as L-Train and I are both huge Fleetwood Mac fans.  And after listening, we were very sad about it.  Now that Lindsey isn’t scoring blow and beating up his girlfriends, his tunes are slowly waning in smooth rock quality.  I don’t even remember what it sounds like now, my mind has repressed that shit really fast.  My brain’s fast like fast actin’ Tenactin.

So I was in a very bad way before pumping proper on the new Magik Markers jam hive.  It’s a recently dropped, limited release, comically titled EP called Gucci Rapidshare Download, part of Three Lobed Recordings’ Oscillations III series (with artwork by my friend Robert Beatty). Within two minutes, I had endorphins kickin’ in, the spunk came back, and I was in such a good mood, I was ready to rake some of my neighbors’ leaves as a random act of kindness.  Continue reading ‘Feelin’ Groovy with Magik Markers’

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Navigating the Dead C

51DuMBb3u7L._SS500_ Navigating the Dead C

One of the best compliments you can receive as a musician is the notion of irritating music writers.  The Dead C has always been one of the most difficult groups to describe.  Like many psych rippers and no wavers, much of the Dead C’s repertoire specializes in noise and structure breakdown.  But simply labeling it as noise is shortsighted, as the Dead C operates as more of an improv group.  There’s always been “structure,” more or less, and if you listen closely, the Dead C often comes across as a damaged Spacemen 3, Space Needle, or other fuzz-heavy, post-punk-informed groups with the word “space” somewhere.  There are solid songs throughout, always head warping, and always fed through multiple demonic filters to cultivate that otherworldly presence. Continue reading ‘Navigating the Dead C’

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