Dan Snaith, a.k.a. Caribou a.k.a. Manitoba a.k.a. “The Professah,” seems to follow a chronologically retroactive pattern. His earliest work reflected IDM and glitch standards prolific in the ’90s. Then his breakthrough full-length, Up in Flames, evoked silky ’80s dream pop and shoegaze. 2005’s The Milk of Human Kindness took cues from the heyday of krautrock. This eventually propelled Snaith squarely in the baroque pop part of the space-time continuum circa 1966 in the form of Andorra, an album that all but references The Left Banke by name. So what of Swim? Will Caribou continue his time traveling trajectory, make good on the album title, and release his surf rock / doo wop / Skiffle album? Not quite. Caribou hinted with the somewhat disappointing “Odessa” a possible move toward more dance-oriented material. For the most part, this is true. However, the result is much more interesting than “Odessa” suggested.
Snaith makes it clear this time around that he’s going balls to the wall, trying on a variety of new hats. “Jamelia” juggles dub beats, Colin Bluntstone-channeled vocals, orchestral arrangements, and non-linear songwriting in one of Caribou’s most driving efforts. “Bowls” is an exploration of the more minimal and ambient works under the Manitoba moniker, replete with David Fridmann ethereal harp accents, Aphex Twin-informed minimal techno, and glitch flourishes. ”Hannibal” acts as a compromise betwixt the splattered rhythms, bubbling low end, and horn explosions of Scratch Perry and the fluid, galactic vibe of Boards of Canada circa Twoism. “Kaili” shows Caribou experimenting with acid house samples over pop vocals and Love-inspired psychedelic orchestration. The idea has more value than the actual product, but the bold jump should be applauded nonetheless. Despite some pitfalls, Swim showcases some real moments of brilliance and clarity, best demonstrated on the psilocybin-saturated “Sun” – an angelic, blissed out motorik club banger augmented with hauntological synths and the self-evident mantra of “sun.”
Though not as strong as his mid-decade releases, Swim is a surprising follow-up that, while not groundbreaking, is thoroughly enjoyable and a great juxtaposition of electronic and psych genres spanning every decade Snaith has covered in his impressive repertoire. Moreover, Swim set a new paradigm for Caribou by breaking his old pattern, which may be one of the album’s biggest triumphs.
Swim drops courtesy of Merge on April 20 (hurhur, 420 lol), which should be available for pre-order soon. And lest ye forget, Caribou swings through Louisville with Toro y Moi on June 8th at the Zanzabar.
MP3 :::
Caribou – Sun
