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Tag Archive for 'psych pop'

Praise Ye Jehova… Broadcast is Back in Action

l_dac8e7008fe04ade8cbddd938480c76a Praise Ye Jehova... Broadcast is Back in Action

Hey Trish and James,

It’s Bloggins. Many moons since we’ve heard from you all. I mean, it’s been a minute. I wondered what happened to you dudes. I mean, Broadcast drops this brilliant album, Tender Buttons, back in the fall of 2005. It made my solar plexus tingle. You all toured a bit on that jam hive. Good times. But then you guys, like, bounced. Just straight up peaced out. I feared you might’ve broken up. I went through five stages of acceptance.

But now you’re touring again – first time in ages. That’s great news. I guess I would’ve known about this sooner if I followed the Fun Fun Fest lineup, but unfortunately I didn’t/don’t give a shit about it. Perhaps I should be better about shit-giving. But anyway, you’ve roped in Deerhunter bro Bradford Cox’s Atlas Sound. Excellent choice. Does this mean that a new album is to follow? I hope so. You guys need to show the indie rock retards how it’s done. I know that a new EP is getting ready to drop on Warp. And that Focus Group had something to do with it? Sweet cinnamon and biscuits! It’s like Christmas up in this bitch.

Anyway, enough gabbin’. I do see you’re playing a club called The Black Cat, too. That’s funny. A hardy lol was muttered from this side of the table, no doubt. Hope the tour goes well, and I’ll be seeing you guys in Columbus or Chicago. Haven’t decided which yet. Wish you had, like, just one open date on the east coast so I could help bring you all to Louisville, but somebody’s got some type-A-personality booking goin’ on. I ain’t mad at ya, though.

TTYL,
Kenny Bloggins

All dates below are with Atlas Sound and The Selmanaires. No word on the official release date or title of the new EP, but I think it might be called Witch Cults of the Radio Age. If you poke around their MySpaceTime, you’ll probably ascertain why I think that. Anyway… dates…

10/15 Atlanta, GA @ The Earl
10/16 Chapel Hill, NC @ Local 506
10/17 Washington, DC @ Black Cat
10/18 Philadelphia, PA @ First Unitarian Church Sanctuary
10/20 New York, NY @ (Le) Poisson Rouge
10/21 Brooklyn, NY @ Music Hall of Williamsburg (CMJ)
10/22 Boston, MA @ The Paradise
10/23 Montreal, QC @ Le National
10/24 Toronto, ON @ Lees Palace
10/25 Columbus, OH @ Wexner Center
10/26 Chicago, IL @ Bottom Lounge
10/27 Northfield, MN @ The Cave
10/30 Vancouver, BC @ Biltmore Cabaret
10/31 Seattle, WA @ Neumos
11/01 Portland, OR @ Doug Fir Lounge
11/03 San Francisco, CA @ Great American Music Hall
11/04 Los Angeles, CA @ The Troubadour
11/05 Phoenix, AZ @ Rhythm Room
11/07 Denton, TX @ Hailey’s
11/08 Austin, TX @ Fun Fun Fun Fest

MP3 :::
Broadcast – Black Cat
Broadcast – The World Backwards

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Funky, Heady Space Folk Dub Courtesy of Happy Family

l_fc1cb15e89e184346bd88ae6a5250df2 Funky, Heady Space Folk Dub Courtesy of Happy Family

Ahoy, the holiest of holies there – the Boss SP-303 sampler. So you kinda know what’s comin’…

There’s been a cheeky debate going on with the serious (I Guess I’m Floating) and not so serious (Hipster Runoff) blogs about what to call the burst of sample-based, lightly acid-tinged pop music that exploded with Panda Bear’s Person Pitch and continues with strong work from Lotus Plaza, City Center, et al. I like sampsycore. It’s sort of German in its mindset – make a new word out of three existing ones. So I’ll throw that in the ring. Chillbrocore is good too, though. Anyway, I’m glad Nathaniel at the aforementioned IGIF introduced me to psychedelic pop bro Happy Family, because his new Sound Farm EP helps keep the brain limber.

Happy Family exudes a thick, hazy, classic 4AD vibe by way of Cocteau Twins, with fuuuuunk. That is to say, Happy Family’s songwriting tendencies and general sonic timbre fall somewhere between dub and freak folk, which are two rather disperate genres. Hombre pulls it off well.  In addition, the one-man Baltimore-based project also concocts a well-balanced blend of shoegaze, kraut, and 8mm-washed swells of ambience.  I tend not to like music with heavy, pervasive beats, but Happy Family’s scratchy, syrupy rhythm section is decidedly distinct and unusual, is somewhat reminiscent of Koushik’s or Forest Swords’ fine astral trips. Recommended.

Happy Family is all up on MySpazz.

For fans of:  City Center, Cocteau Twins, Forest Swords, Koushik

MP3 :::
Happy Family – Mindless Pleasures

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City Center – S/T

citycenter City Center - S/T

I was a little embarrassed to review this record a little late in the game (by music blog terms). Fred Thomas’ solo project City Center has been long-championed by music blogs I trust, such as Raven Sings the Blues and Forest Gospel. Shit, I even like his other band, the retro kitsch Saturday Looks Good to Me. So I have no excuse, other than being a mediocre blogger. My life is average.

City Center is a sample-based, blissed-out psychedelic entity – much like, well, Panda Bear and Lotus Plaza. While the aforementioned solo outings from Animal Collective and Deerhunter make sense in relation to those groups’ ethos of general weirdness, I didn’t expect this sort of album from the chief His Name is Alive/SLGTM songwriter. Maybe I should’ve, considering that Thomas’ other projects do dabble in lots of left of center sounds. Regardless, good surprises can be exciting. City Center is fantastic.

City Center was probably recorded underwater. I’m not sure how Thomas did this without shorting out his gear, but this record’s precise aquatic timbre and dark reverb could’ve only been achieve submerged, I believe. Czech opener “Killer Whale” with its intensely fluid exposition that would make Growing melt and drifting-at-sea folk acoustics and you’ll see what I mean. City Center begins a little slower and bland, but wait four songs in.

The record sprouts its wings with “Gladest,” which is everything correct about lush, soaring psychedelic pop. City Center keeps getting better from there with the three movement “Bleed Blood,” beginning as a heady electric folk magical mystery tour and ending in a wash of broadcast static and a penetrating sonic pastiche. “Summer School” brings in that breezy, lighthearted and fun in the sun psychedelia that High Places also masters and Animal Collective sometimes fails at (this is how “Brothersport” should’ve been done).

While Panda Bear and Atlas Sound and similar psychbros may have been on this tip previously and owned this sort of approach to sample-based music wholly, Fred Thomas’ surprising well-crafty entry to the field is anything but second-rate. City Center represents everything I like in modern music – melodic, vaguely accessible but sometimes challenging, and all kinds of trippy.

City Center is available now and you can grip it here.

For fans of:  High Places, Panda Bear, Lotus Plaza

Fagen-Becker Quality Rating
steelydan2 City Center - S/T

MP3 :::
City Center – Summer School
City Center – Bleed Blood

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The Missing Link Between Flower Power and Creation – The Folklords

51yRK%2Bq5gwL._SS500_ The Missing Link Between Flower Power and Creation - The Folklords

Whoever said you can’t judge a book by its cover is an asshole. I was introduced to The FolklordsRelease the Sunshine whilst poking around Ear X-Tacy over the weekend. Like magnetism, my eyes locked on this record that was on display in the psych/kraut/experimental section from rather far away. The kaleidoscopic band photo with a Polaroid-washed palette, Indian-inspired hippie chic wardrobes, and the album’s title imposed over a doily-like paisley sun in the upper right hand corner – oh hell yes, this record’s going to be very relevant to my interests. And they’re called the fuckin’ Folklords. You know this is shit’s gonna be rowdy. So I picked it up.

The record sounds exactly as the album art suggests – good vibin’, sunny, spellbinding, lazy and hazy psychedelic electric folk with serious zither and autoharp solos in tow. Originally released in 1968 on Canadian imprint Allied Records, little is known about this Toronto trio and their only album. Their obscurity says nothing about the quality of the music – only that the late ’60s were quite a competitive period for this type of sound. As the liner notes suggest (and I agree), the Folklords, strangely enough, sound closer to the Creation Records groups of the mid ’80s, the British bands emulating the timbre of flower power, than many of their contemporaries in 1968. This is especially pervasive on “Thank You For Your Kindness,” included below. You can extrapolate whatever you will from this sentiment.

Release the Sunshine isn’t anything you haven’t heard before, but it’s exciting nonetheless to find a pretty good document of Canada’s response to the west coast sound – one that was swept under the rug, no less. Fortunately, Lion Productions, who specialize in grabbing obscure psychedelia and craftily remastering their finds, recently released this gem, and its available here.

For fans of:  West Coast Pop Art Experimental Band, The Left Banke, Margo Guryan

MP3 :::
The Folklords – Forty Seconds River
The Folklords – Thank You For Your Kindness

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Bachelorette – My Electric Family

61jF6xS3F%2BL._SS500_ Bachelorette - My Electric Family

Christchurch, New Zealand native Annabel Alpers, known to you and I as Bachelorette, is a quiet, sultry force that you can’t even reckon with. Her debut for Drag City, and second proper album, has been described by a couple of writers as a sort of quirky “bedroom pop.” I wholeheartedly disagree. My Electric Family is expansive, radical, and ionospheric. Packed with reverb, sweeping moods, and surrealistic lyrical motifs, Bachelorette is way too large for any bedroom.

Each of the 11 songs on My Electric Family can certainly be categorized, loosely speaking, as pop. But that, too, is not accurate. When I think of “pop,” as it were, I tend to recollect music that would be kosher to play around my folks – you know, The Shins and shit. There’s something viscerally strange about Bachelorette that I can’t quite pinpoint. Her sound is certainly in the vein of Broadcast, Pram, and Blonde Redhead – tightly constrcuted songs, hummable melodies, a vague retro-futuristic slant, and an undeniable allure. However, the soundscapes themselves – constructed mostly from acoustic guitar, warm analog synthesizers, polyphonic vocal effects, and a variety of playful samples and bountiful noise flourishes – are tacitly otherwordly and atomic. On her MySpace, Alpers writes “Bachelorette took too many mushrooms and fell in love with a computer.”  That’s as great of a description as any.

While the disco-friendly “Mindwarp” and “Her Rotating Head” are beginning to make their rounds around the Interwebs – and are the obvious single choices – My Electric Family’s more askew corners are what make Bachelorette fascinating. “The National Grid,” with an atmospheric stomp rhythm, repetitive vocal sample backdrop, and rising swells of static, reminds me of the exciting first measures of Panda Bear’s “Comfy in Nautica” with a drugged out Enya as the backing band.  The phantasmagorical “Instructions for Insomnia,” featuring swirling and soaring analog melodies and driving cowpunk rhythm, evokes a bizarre bucolic mileu, like driving your truck offroad on a Martian farm out of The Sirens of Titan. “Long Time Gone” is a crafty space pop gem somewhere between a major key Kid A and the communication signal at the end of Close Encounters of the Third Kind. Album closer “Little Bird Tell Lies” is a fun, frolicking, childlike psych ditty that, while sounds simple enough upon first listen, is built upon immesaurably thick layers of disparate sounds that mesh together in an astonishingly seamless manner. Don’t even think about listening to this album on shitty iPod earbuds.

Even when Bachelorette plays it straightforward, like the psych-twang electric folk found on “Where to Begin” or the piano waltz meets Raymond Scott’s space age bachelor pad jam of “Dream Sequence,” it feels just as exhilerating. Perhaps it’s Alpers voice – it’s distinct and gorgeous in the traditional sense, and yet holistically unlike anyone else (much like Broadcast’s Trish Keenan). Alpers never sings toward you – she seems to be singing behind you with a fortissimo whisper, in the corner of the room with her Doc Brown shades obscured by a wall of technology imported from an alternate future.

Without trying to hype this too much, My Electic Family is truly a hazy, dreamy, kaleidoscopic journey, packed with imaginitve strangeness and oddball beauty – a downright perfect record that serves as the surprise masterpiece of 2009.

Let me break it down like this. Bachelorette is my absolute favorite new artist. I have not been this excited about someone relatively new since my first exposure to Deerhunter through Cryptograms (no offense to anyone else I’ve covered). Here’s a screen cap of my Last.fm this week:

screencap Bachelorette - My Electric Family

That’s what’s up.

Hope you don’t get sick of hearing about Bachelorette, because she’s getting a lot of coverage on this blog. Get used to it. Fuck the new Grizzly Bear album, My Electric Family is out now on Drag City. Picking this album up was the most important thing I did this week – I suggest you do that same.

Fagen-Becker Quality Rating
steelydan1 Bachelorette - My Electric Family

For fans of:  Broadcast, Tickley Feather, Electrelane, Pram

MP3 :::
Bachelorette – The National Grid
Bachelorette – Donkey

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A Side of Marmalade

marmalade_psych_band A Side of Marmalade

Especially in music, it seems there are a lot of names that most prominently exist as a footnote. I’m sure that’s a peculiar place to find oneself in. You see this often in the quite communal scenes of the late ’60s and early ’70s, the best example being the Beatles and how everyone associated with them gets the distinction of “sixth Beatle,” “seventh Beatle,” and so on. Marmalade is such a group. Most music dorks seem to immediately associate Marmalade as simply the group that did a decent cover of a Beatles song, and that Jimi Hendrix was really stoked on the group in 1967. Continue reading ‘A Side of Marmalade’

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No-Fi Psych with Sic Alps, US Girls, and The N.E.C.

sic_alps No-Fi Psych with Sic Alps, US Girls, and The N.E.C.

I should be releasing my best of 2008 list next month at this time. As a preview, you can bet that San Francisco’s Sic Alps will be firmly planted in the northern latitudes of the list. This isn’t your father’s unwashable, filthy, no-fi psychedelic rock scuz – Sic Alps twist, creak, and thump, taking you on a cosmically damaged romp through west coast good vibes and future shock trepidation.

Why I didn’t czech out the group earlier is a mystery to me. Their debut Pleasures and Treasures was released on Animal Disguise, home to my good friends Warmer Milks. The latest, U.S. Ez, has a comfy place on the Siltbreeze roster with the likes of Charlambides, The Dead C, and hey look, U.S. Girls (see below). Sic Alps certainly drink from the same goblets as the highest in psych rock royalty, but they also bring the goods to back up their seat at the table. Continue reading ‘No-Fi Psych with Sic Alps, US Girls, and The N.E.C.’

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