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	<title>The Decibel Tolls &#187; punk</title>
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	<link>http://thedecibeltolls.com</link>
	<description>A daily, usually vulgar, music blog focused on psychedelic, shoegazing, space rock, folk, post rock, hauntology, ambient/noise, and related genres.</description>
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		<title>No Fun in the Sun</title>
		<link>http://thedecibeltolls.com/no-fun-in-the-sun/</link>
		<comments>http://thedecibeltolls.com/no-fun-in-the-sun/#comments</comments>
		<pubDate>Wed, 19 May 2010 15:11:54 +0000</pubDate>
		<dc:creator>Kenny Bloggins</dc:creator>
				<category><![CDATA[MP3]]></category>
		<category><![CDATA[hawaii]]></category>
		<category><![CDATA[no wave]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[punk]]></category>
		<category><![CDATA[the fuckin flying a-heads]]></category>

		<guid isPermaLink="false">http://thedecibeltolls.com/?p=2717</guid>
		<description><![CDATA[
Watching LOST last night (miss you, Lapidus), which is filmed in Hawaii, I was reminded of a curious gem every bit as evil as the Smoke Monster, sent to me by the good folks at De Stijl. From the aloha state circa 1980 &#8211; The Fuckin&#8217; Flyin&#8217; A-Heads. Obviously I&#8217;m going to feature an artist [...]]]></description>
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<div>Watching LOST last night (miss you, Lapidus), which is filmed in Hawaii, I was reminded of a curious gem every bit as evil as the Smoke Monster, sent to me by the good folks at De Stijl. From the aloha state circa 1980 &#8211; <strong>The Fuckin&#8217; Flyin&#8217; A-Heads</strong>. Obviously I&#8217;m going to feature an artist called The Fuckin&#8217; Flyin&#8217; A-Heads on this site, regardless of the music. What a truly amazing name. More amazing, however, is the sound of this very foreign type of nasty destroyed punk. Not foreign in an ethnic or nationalistic sense, but foreign in that it sounds like something not of our reality. While music like this was being created in the late &#8217;70s and early &#8217;80s New York no wave scene, Hawaii is very far removed geographically and culturally from NYC, making &#8220;Swiss Cheese Back&#8221; skewed even further. Screaming dark subconscious ranks over decimated guitar, spare percussion, and Guitar Wolf style hyperloud production, The Fuckin&#8217; Flyin&#8217; A-Heads may be the first and only band to meet Swans and Captain Beefheart somewhere in the middle. The chief export of The Fuckin&#8217; Flyin&#8217; A-Heads is total volcanic insanity.</div>
<p><a href="http://destijlrecs.com/FFA.html" target="_blank">De Stijl</a> has remastered their sole release, <em>Swiss Cheese Back/Watching TV</em>, a 7&#8243; that flew totally under the radar, and perhaps it&#8217;s meant to dwell there in the first place. This sort of thing causes riots. So it goes without saying, those wanting a more adventurous listen will find &#8220;Swiss Cheese Back&#8221; a very fine and friendly experience. Be sure you&#8217;re in good health before mashing play.</p>
<p><strong>MP3 :::<br />
<span style="font-weight: normal;"><a href="http://thedecibeltolls.com/mp3/The_Fuckin_Flying_A_Heads_-_Swiss_Cheese_Back.mp3">The Fuckin&#8217; Flyin&#8217; A-Heads &#8211; Swiss Cheese Back</a></span></strong>
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		<title>Dag Nasty &#8211; Field Day</title>
		<link>http://thedecibeltolls.com/cut-out-bin-classics-dag-nasty-field-day/</link>
		<comments>http://thedecibeltolls.com/cut-out-bin-classics-dag-nasty-field-day/#comments</comments>
		<pubDate>Wed, 18 Mar 2009 20:46:42 +0000</pubDate>
		<dc:creator>Xavier Van Zandt</dc:creator>
				<category><![CDATA[Contraband]]></category>
		<category><![CDATA[dag nasty]]></category>
		<category><![CDATA[punk]]></category>

		<guid isPermaLink="false">http://thedecibeltolls.com/?p=233</guid>
		<description><![CDATA[
Recession blues yall and I&#8217;ve been digging through the personal back catalog to see what I can hock for food.  Apparently nobody buys CDs any more so I&#8217;m back to flipping vinyl.  There in the back of the closet I came across a vintage &#8217;80s slab from Dag Nasty which has since gone out of [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter" src="http://www.southern.com/southern/band/DAGNS/pics/index2002_photo.jpg" alt="index2002_photo Dag Nasty - Field Day" width="339" height="336" title="Dag Nasty   Field Day" /></p>
<p>Recession blues yall and I&#8217;ve been digging through the personal back catalog to see what I can hock for food.  Apparently nobody buys CDs any more so I&#8217;m back to flipping vinyl.  There in the back of the closet I came across a vintage &#8217;80s slab from <strong>Dag Nasty </strong>which has since gone out of print.  Most are familiar with their Dischord releases &#8211; <em>Can I Say</em> and <em>Wig Out and Denkos</em> &#8211; but the subsequent release of <em>Field Day</em> had the misfortune of coming out on now defunct Giant Records and is mostly unavailable.  <span id="more-233"></span></p>
<p>Haters would say that <em>Field Day </em>marked the onset of Brian Baker&#8217;s slow descent into pop metal hell and it&#8217;s hard to argue against it when he soon departed for the likes of Junkyard.  It&#8217;s definitely a more polished, less aggressive effort and probably more a forerunner of bands like Sunny Day Real Estate or Jawbreaker than it is a natural progression from Wig Out.</p>
<p>But tracks like &#8220;Things That Make No Sense&#8221; and &#8220;Trouble Is&#8221; are brilliant in their own right with atypical flourishes like vocal harmonies and a crisp production that belies its DIY origins.  &#8221;Ambulance Song&#8221; is arguably an experiment with mixed results and the band clearly lacks the chops to put out a convincing lounge tune.  I&#8217;ll chalk it up to that mid-life phase bands go through when self-consciousness overtakes raw passion and they start citing Coltrane as an influence.</p>
<p>Dag Nasty really never got a lot of play even back in their so-called heyday.  Other than a straight-edge ethos, they were decidedly conventional in the midst of an era where <strong>The Dead Kennedys</strong> were putting out stuff like <em>Frankenchrist </em>and <strong>GG Allin</strong> was constantly threatening to off himself on stage.  Their musicianship arguably surpassed most of their peers and they were lyrically much more introspective.</p>
<p><strong>Minor Threat</strong> still gets most of the glory as hardcore&#8217;s poster boys &#8211; as evidenced by the fact that <a href="http://www.prefixmag.com/news/ian-mackaye-and-company-take-offense-to-forever-21/26758/" target="_self">tweens are now buying their counterfeit shirts at the mall</a> &#8211; but the first three Dag Nasty releases are classics of the second wave and sound as contemporary today as they did 20 years ago.</p>
<p><strong>MP3 :::</strong><br />
<a href="http://www.thedecibeltolls.com/mp3/Dag_Nasty_-_Trouble_Is.mp3">Dag Nasty &#8211; Trouble Is</a><br />
<a href="http://www.thedecibeltolls.com/mp3/Dag_Nasty_-_Things_that_Make_N.mp3">Dag Nasty &#8211; Things That Make N</a>
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		<slash:comments>4</slash:comments>
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