Continuing the Contraband series, showcasing various finds and older, often out of print, records that deserve some ink in the blogololosphere, today we discuss Swirlies and three albums – Blonder Tongue Audio Baton, What to Do About Them, and They Spent Their Wild Youthful Days in the Glittering World of the Salons – all of which are very worthy of your attention.

Swirlies served as a Yankee response to the Thames Valley-centric shoegazing movement, though it could still be argued that Swirlies didn’t necessarily fit nicely in that box either. The group masterfully amalgamated both dream and noise pop aesthetics like champs, while also pioneering what was known as “chimp rock,” or music with a deliberately childlike, uncouth approach to songwriting.  Though they’ve not done a whole lot in more recent times, it’s worth noting that Swirlies never officially disbanded. As a matter of fact, they recently resurfaced to play three east coast shows in February.

What to Do About Them, released in 1992, is rather cohesive for a debut EP. Under the soundboard-clipping washes of noise is a touch of bubblegum pop that carved a niche for Swirlies as America’s The Vaselines. Dig the sweet and sour “Chris R” and anthemic “Upstairs.”

Blonder Tongue Audio Baton, released in 1993, maintains the typical cadence and aesthetic of the time as a freewheeling, sloppy recording. One important distinction, however, is Swirlies’ mastery of the quiet/loud dynamic. Songs like “Bell” have a real Ride quality in terms of soaring melodies and silky guitars – minus any sort of production, of course.

While Swirlies’ 1995 album They Spent Their Wild Youthful Days in the Glittering World of the Salons is still in print, it isn’t widely released, discussed, or revered, and that’s an abject bummer. Compared to their noisier, more disjointed previous releases, …Salons features cleaner production and more sophisticated, concise songwriting, ostentatiously because it is, indeed, a latter album and the members are older, etc. However, the band proves they still don’t give a shit by way of their classic muddy, brutal distortion. The liner notes state that no synthesizers have ever been used in Swirlies, making some of the sounds scattered on “Sound of Sebring” over the ’90s-centric, tinty, active rhythm quite curious indeed.

MP3 :::
Swirlies – Upstairs
Swirlies – Chris R
Swirlies – Pancake
Swirlies – Park the Car By the Side of the Road
Swirlies – In Harmony New Found Freedom
Swirlies – Sound of Sebring
Swirlies – Sunn