I want to talk about my email for a sec [kb (at) thedecibeltolls.com]. Chuck Klosterman once said that music critique is basically being paid to read your mail. That’s pretty accurate, and in many ways, that was the largest chunk of my job as a talent buyer at the music venue. I miss doing such work, despite the funky hours, so I enjoy getting mail from publicists and label reps. These letters provide two outcomes, depending on if the publicist is good at his/her job: 1) point you in the direction of artists that will pique your interest, or 2) provide some serious lol time, such as “Rilo Kiley fans – take delight.” Have you read this blog? I rag on that shit daily. I understand this, of course, as music promotion is often throwing spaghetti against a wall – just launch your name everywhere, and see what sticks. However, sometimes these corrospondences point me in the direction of some bands I dig, and if you’re reading the blog, you’ll dig as well. Case in point…
Today, I’m happy to present The Great Northwest. And following the storied tradition of Boston, Chicago, and Kansas, they are indeed from the great northwest (Portland, specifically). The Great Northwest in a few words: absolutely gorgeous, expansive space rock. I plan on reviewing their recently released debut The Widespread Reign of… soon. This is good. Continue reading ‘The Great Northwest – “Chief John” and Engineers – “Forgiveness”’
