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Tag Archive for 'tickley feather'

Tickley Feather – Hors D’oeuvres

tickleyfeather Tickley Feather - Hors Doeuvres

I enjoyed the new Tickley Feather record the first time I sat down to listen to it on Wednesday. Then yesterday I had a nasty 24-hour flu bug (or a 24-hour H1N1 – I’m uninsured, so I didn’t have it professionally diagnosed) and got rowdy on the Nyquil and Dayquil at the same time. I was thoroughly fucked. It was at that point that the new Tickley Feather jam hive sounded real good. I tried to type out my review for the album in this state, but all that came out was thoughts like “fickley teather’s bringing the happy face grind out ya doppler radar outta control” and “annie sachs lol, reminds me of, like, ’sacks’ as in ‘i want to carry around sacks so if someone ask for a hand i can be like – no dice, got these sacks’ jack handey to the max”(true story). Better wait until I’m 100% to write this, which I’m doing right now.

So… the fuck was I talking about? Oh yes, we were discussing adorable lil’ Annie Sachs, a.k.a. Tickley Feather a.k.a. Animal Collective’s BFF 4 Life. The Feather recently described her forthcoming Hors D’oeuvres as an attempt to embrace her “Southern Gothic meets Existential Hillbilly vibe,” promising a more bucolic, joyful, accessible effort. Bucolic? Yes, and you can hear the optimism embedded within from her recent move back to her homestead of rural Virginia. But accessible? Fear not, Tickley Feather is still weird as all hell and delightfully psychotic and looking glass-esque. Different this time around, as previously alluded, is the very concise, focused songwriting. The album’s production still sounds like it was recorded underwater (as it should), but the melodies and compositions are so good. Perhaps Hors D’oeuvres will go quadruple platinum. I fucking hope so.

Tickley’s signature drum machine, melted keys, and allegiance to four-track recording still remain in the forefront as she experiments with many genres, intrepreted slight askew of course. “Sure Relaxing” combines aquatic vocals and wah-pedal to evoke a sexy, LSD-lens Cocteau Twins. “Club Rhythm 96 and Cell Phone” brings you nasty dance funk electroclash as recorded by and for the Morlocks. “Buzzy” takes a page out of Ariel Pink’s instrumental jam book, using minimal loops and altering their fidelity to change the mood and timbre of the song throughout a la William Basinki (and a gorgeous one it is). “Don’t Call, Marilyn” amalgamates a ’60s doo wop sensibility with a sort of paranoia-inducing carnival beat and remains a big highlight.

However, where Tickley really hits her stride is on “Trashy Boys” and “Roses of Romance.” Tickley has a serious sense of soaring melody that was only hinted at on earlier work like “Natural.” Despite the wash of hazy effects and otherwordly disposition, there’s a quiet intimacy a la Movietone through the songs’ resplendent warmth that’s quite refreshing in the freak folk realm (though called Tickley “freak folk” is a bit of a disservice to her rather ingenious music). Truly gorgeous stuff.

Hors D’oeuveres holds up as I listen to it now with a sober mind, and was totally fuckin’ awesome on cough meds. Without sounding cliched, it is truly a syrupy trip into strange candy-coated lands, like entering the “Dark World” in Zelda Link to the Past. Highly recommended for all ocassions, and I reckon that it will end up on the best-of list for the year.

Hors D’oeuvres will burrow a hole in your dome when it drops October 20 coutesy of Paw Tracks. The image at the top is not the cover of the new album, by the way. High-res artwork has yet to be released for it.

Fagen-Becker Quality Rating
steelydan2 Tickley Feather - Hors Doeuvres

For fans of:  Ariel Pink, Bachelorette, Broadcast, Movietone

MP3 :::
Tickley Feather – Roses of Romance
Tickley Feather – Trashy Boys

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News Roundup: Ariel Pink, Brian Jonestown Massacre, Lightning Bolt, et al.

newsonthemarch News Roundup: Ariel Pink, Brian Jonestown Massacre, Lightning Bolt, et al.

A lot of small, relevant snippets of information have been appearing on my newsdesk in the past couple of hours, so I figured, why not dump everything in my action items box into one convenient, slammin’ post. So here’s all the news fit to print, in one post. It will help augment my lack of posting over the weekend, as I will be out of town. The timing was a little bad considering…

Ariel Pink Hits the Bottle This Weekend… Hard

arielpink News Roundup: Ariel Pink, Brian Jonestown Massacre, Lightning Bolt, et al.

Ariel Pink, on his 2008 “Thanks Mom, I’m Dead” tour, is now bringin’ it proper with a lush, full band. I’m interested to hear this, considering the last time I saw Ariel’s twisted AM radio golden pop was his opening spot for Animal Collective during the Sung Tongs tour. They sounded (sonically, not compostionally) like shit, just like on album. I wonder if this same interpretation will happen full band (featuring members of Indian Jewelry, Lilys and Beachwood Sparks). Philadelphia’s singing-at-the-bottom-of-a-well siren Tickley Feather opens the New York, Philly, and Baltimore shows. I know nothing about Tickley Feather’s live show, but the recorded material is sick! As for local action, Ariel Pink hits the Empty Bottle in Chicago this Saturday (totally feelin’ sad panda for missing this). Please see it for me – take photos!

7/19 San Francisco, CA Cell Space
7/21 Salt Lake City, UT Kilby Court
7/22 Denver, CO Larimer Lounge
7/24 Omaha, NE Slowdown
7/25 Minneapolis, MN 7th Street Entry
7/26 Chicago, IL Empty Bottle
7/27 Toronto, ONT TBA
7/28 Montreal, QC Zoobizarre
7/29 Boston, MA TT The Bears
7/30 New York, NY Knitting Factory
7/31 New Haven, CT People’s Center
8/1 Philadelphia, PA M Room
8/2 Baltimore, MD Sonar
8/4 Atlanta, GA Eyedrum
8/5 Tallahassee, FL Beta Bar
8/6 Baton Rouge, LA Spanish Moon
8/7 Houston, TX Walter’s on Washington
8/8 Denton, TX Hailey’s
8/9 Austin, TX Mohawk
8/11 Tucson, AZ Plush
8/12 Los Angeles, CA Echo

Ariel Pink’s Haunted Grafitti – Inmates of Heartache
Tickley Feather – Natural

Lightning Bolt and Wooden Shjips Do ATP’s Release the Bats

lb News Roundup: Ariel Pink, Brian Jonestown Massacre, Lightning Bolt, et al.

Halloween is the only holiday I really celebrate, and if I can locate a few extra thousand dollars (plus exchange rate fund) lying aruond, I may just take a hajj to London’s Forum on October 31 for ATP’s Release the Bats. No, I probably won’t make it, but you Britons should take the trip to see Lightning Bolt and Wooden Shjips, then tell me how it was. Lightning Bolt, who refuse to play on a stage, is worth traveling any distance to see, for their energy, face melting performance, and sheer unadulterated volume. Wooden Shjips will be fun to see live, as well, since they will be testing lots of new material for the follow up to their airborne self-titled. ATP is encouraging people to dress spooky. Considering LB is booked – shouldn’t be a problem.

Lightning Bolt – Duel in the Deep
Wooden Shjips – Lousin’ Time

Watch Anton Newcombe Woo His Peers and Neighbors in DIG!

DIG is an amazing documentary by Ondi Timoner outlining the seven year trajectory of two very aesthetically different groups, starting from the same place, but creating two vastly incongruent story arcs (with the Brian Jonestown Massacre acting as the undeniable central force, the immovable object, like the Joker in the Dark Knight). Totally fascinating – sometimes you just can’t make this stuff up. Of course, a lot has been written and discussed concerning the general insanity provoked by Anton and company (which I think is kinda cool in a psychotic way). What really matters is the music, ultimately, and this film holds true to this ideal.

Now, thanks to SnagFilm, you can watch this riveting piece of human drama – for free. Way rad. Czech out DIG here, or go on and watch it all up in that lil’ widget dude above! Technology is fucking aces.

Personally, I love every Brian Jonestown Massacre record. But even if you’re not into the music, the movie is more than entertaining. If you do love the BJM, there’s tons of great music throughout. You should definitely buy the DVD if you like the flick, since the DVD is packed with tons of great deleted footage, extras, and BJM performances. In a later post, I have quite a story concerning my epic run-in with Mr. Newcombe. Look out for that, but in the meantime, enjoy a lil’ guy from the We are the Radio EP.

Brian Jonestown Massacre – Seer

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