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Tag Archive for 'video'

[Photos + Video] Tortoise and Disappears – Headliners, Louisville – 2.11.10

tortoise-disappears1 [Photos + Video] Tortoise and Disappears - Headliners, Louisville - 2.11.10

disappears [Photos + Video] Tortoise and Disappears - Headliners, Louisville - 2.11.10
tortoise-disappears2 [Photos + Video] Tortoise and Disappears - Headliners, Louisville - 2.11.10
tortoise-disappears3 [Photos + Video] Tortoise and Disappears - Headliners, Louisville - 2.11.10

Last Thursday was awesome. Though Tortoise boasts the pedigree and equity of “legendary,” I was actually more pumped to see Disappears. And they were utterly devastating. I always appreciate a band as loud as a Saturn V, and Disappears delivered the goods – disgustingly chunky guitars, tape echo on every mic, neanderthal drumming, reverb that shook Headliners Music Hall to its core – this band is ridiculous.  Disappears is truth.

As Brian Case discusses in our forthcoming interview, much of the set was very new material that may find its way past their Kranky debut Lux, out April 13. Unsure of the title of this one, but Disappears embraces the motorik like a loved one and cultivates decibel shredding more expansive than Manifest Destiny. Believe:

“Black Cross” was in fine form, as well:

Tortoise was also a treat to see live, though I’d be remiss if I didn’t honestly say that I enjoyed Disappears more. This probably had more to do with tertiary factors than the band’s actual performance. Tortoise was as tight as ever, but I felt their live show this time around suffered by not having, say, a visual element. Disappears didn’t need one, as Brian Case is a beast on stage, but the post-rock quintet, outside the double drumming extravaganza and John McEntire switching instruments every five minutes, hid behind their stacks of synths and computers – opting more to noddle in a detached sense, much like a jam band, than to engage the crowd. However, a couple of moments truly stood out, especially when Tortoise reached into their heavy metal bag and brought the motherfucking ruckus, as evidenced below. As an added bonus, you get We Listen For You’s Zach Hart’s mighty dome in the first video:

Overall, I still greatly enjoyed seeing Tortoise up close and personal – a very excellent bill all around. Keep your eyes on Disappears, though. There’s a statistically significant chance that, if our God is a merciful and loving god, this Chicago collective will fucking dominate 2010. Tortoise and Disappears storm Cat’s Cradle in Carborro, NC tonight and DC’s Black Cat tomorrow.

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Serena Maneesh Leave Lair For a Sec to Play Norwegian TV

Serena Maneesh likes to rock
They are a rocking machine
They can really wail a horse-wupping ass off
They can really whip a polar bear’s ass
- Wesley Willis (r.i.p.)

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Most Psychedelic Times with White Rainbow, Pauly Shore, and the Hurdy Gurdy Bro

l_5ce6dabd617a48babf812a2cc69f9455 Most Psychedelic Times with White Rainbow, Pauly Shore, and the Hurdy Gurdy Bro

Alright, so rowdy new Kranky artist White Rainbow starts talking about Flying Saucer Attack and the golden age of space rock, and then Pauly Shore rolls through and asks him about his jams and they have a quick brodeo. No words, my friends, no words. Thanks to Porch of the Mystics for unearthing this most gnarly of vids, bud-dee.

FIST BUMP!

Actually, no… this is the most gnarly of vids. I hate that it’s called “The Worst Thing I Ever Saw On Public Access TV.” It’s the greatest thing I’ve ever seen outside The Spirit of Truth. Simply amazing. This dude is the best dude. 

Dream bill: Wolf Eyes, Jandek, Steverino, and the above gentleman (herein referred to as “hurdy gurdy bro,” as that is evidently the name of the instrument and of no relation to Donovan). So epic.

 

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[Video] ‘The Monster’s Choice’ With Music By Lightning Bolt

I just love this video that L-Train discovered the other night featuring music by Lightning Bolt. It’s beautiful through and through. The short sorta reminds me of The New Radicals video for “You Get What You Give,” except with a fun-loving monster bro, less bucket hat, and better jammage. Enjoy.

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[Photos + Video] Oblisk, R Keenan Lawler, and Softcheque – 8.19.09, DCE, Louisville

 [Photos + Video] Oblisk, R Keenan Lawler, and Softcheque - 8.19.09, DCE, Louisville

Last Wednesday was a beautiful evening of music. The most significant testament to the show was how well three somewhat disparate genres meshed in an aesthetically sensible way. Many thanks to everyone who came out!

 [Photos + Video] Oblisk, R Keenan Lawler, and Softcheque - 8.19.09, DCE, Louisville

The evening kicked off in a dream state thanks to Softcheque. This was my first time seeing them (I missed them when they opened for Phantom Family Halo), and I was extremely impressed. Though they were missing a member due to a last minute work conflict, the group sounded thick and tight. Though Softcheque is often known as a group of Sapat members, Sapat in no way overshadows what Softcheque brings to the table. While Softcheque toggles between many genres, the soft, pointed vocals of Dane Waters over slow-tempo, orante instrumentation evokes a serious Broadcast and/or Pram vibe, minus some of the retro kitsch. I’ll let the video speak for itself:

 [Photos + Video] Oblisk, R Keenan Lawler, and Softcheque - 8.19.09, DCE, Louisville

R Keenan Lawler was up next, and killed it as usual. Lawler is a one-man act, using hollow-body guitar, a bottle neck, a mixer, and effects pedals to create Martian mountain folk. Lawler plays it claustrophobic and intense – you don’t need visuals or distractions to keep your attention focused on the man sitting on the stool noodling away.

 [Photos + Video] Oblisk, R Keenan Lawler, and Softcheque - 8.19.09, DCE, Louisville
 [Photos + Video] Oblisk, R Keenan Lawler, and Softcheque - 8.19.09, DCE, Louisville

Detroit’s Oblisk closed the evening with the loudest performance. Walls shook, the strobe light blinked, and there was lots of smiling before a few faces melted off. Super resonant Big Muff distortion makes me emotional. I almost cried. I’ll be reviewing the group’s latest, Weather Patterns, later this week. So good. Enjoy a couple of minute-long nuggets (I wish the video was longer, but alas, camera fail):

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Windy and Carl – Land of Tomorrow – 5.3.09

One of my favorite Lexbros, Mick Jeffries, captured a little bit of Windy & Carl’s drone-out performance last night at new art space slash music venue Land of Tomorrow.

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Adventures In YouTubin 3 – Strange Moments in TV History

youtubin Adventures In YouTubin 3 - Strange Moments in TV History

Too broke to booze tonight (except for some Heaven Hill, which I won’t go into) so I might as well blog like the winner I am. It should be apparent that I have the taste for the strange, and I often try to find gems of inexplicable oddity on YouTube. The third Adventures in YouTubin’ comes, this time around, with a theme and a new graphic (that, come to think of it, looks like I’m promoting a rave or some shit) – strange moments on the tele, subsequently uploaded to YouTube.

Enter fake Max Headroom:

I can only imagine that this was rather horrifying and surreal to randomly see on PBS. One autumn November evening in 1987, Chicago’s WTTW was airing a fun and fancy-free episode of Dr. Who, when the signal was intercepted and overtaken by pirates.

In order to hijack a television feed, you would need very sophisticated, expensive microwave equipment capable of overtaking a television station’s signal (not to mention extremely specialized technical knowledge). You would also need to know the exact location of the uplink antenna and be within line-of-sight. However, WTTW’s was on top of the Sears Tower, a very visible landmark, making it a bit easier to find, and certainly impossible to locate where the pirate signal came from. Investigators concluded that the “signal pirate” smothered WTTW’s broadcast with a large and uncommon rig of sufficient microwave power, the type of equipment that could be purchased for about $25,000 (in ‘87 no less), or rented for a few thousand dollars. If one wanted to cover their tracks well, the microwave rig could be disassembled and transported using a few large suitcases. It’s also possible that the pirate could’ve gained access to a powerful ground-based transmitter. He was never caught.

The mask, if you’re wondering, is the protagonist from the mid-’80s post apocalyptic program Max Headroom, a type of Orwellian show wherein tyrannical corporations control the media (sounds familiar) and subversives would disseminate their message of freedom by hijacking live TV signals. The social commentary was not lost on investigators.

The stunt required a lot of work, know-how, and money to pull off, all at significant personal and legal risk… for this:

“He’s a freaky nerd!””This guy’s better than Chuck Swirsky.” (a WGN sportscaster at the time)
“Oh Jesus!”
“Catch the wave.” (a reference to the New Coke marketing slogan)
“Your love is fading.”
[hums the theme song to the 1959 TV series “Clutch Cargo”]
“I stole CBS.”
“Oh, I just made a giant masterpiece printed all over the greatest world newspaper nerds.”
“My brother is wearing the other one.”
“It’s dirty.”
“They’re coming to get me!” [then cue mock S&M scene]

Moral of the story – be thankful. Do you see the lengths people had to go to publicize their pointless bullshit prior to the Internet?

It’s great when you can present a video so strange that John Cage’s “Water Walk” seems rather tame:

Not much to add here. This is an excerpt from a game show called I’ve Got a Secret. I have a feeling that some TV exec or talent buyer lost their job after this one, especially since this was three years prior to Steve Allen getting away with letting Frank Zappa play a bike on live television.

Finally, this could be classified as a horrifying moment in television like the first video, I suppose, though I don’t know if this is actually airing anywhere else besides public access. For those unfamiliar, the TARC is the Transit Authority of River City, our public transit system here in Louisville.  The city’s initiating a fairly big push to go green, so more people are riding their bikes. Unfortunately, a lot of the busier streets don’t have bike lanes at the moment, so people switch to the bus. Evidently, there were enough people who couldn’t figure out how to bring their bike on the bus to convince TARC they needed to spend money producing… this…

Sweet sassy molassey. I would be totally bummed if I was a bus driver and had to participate in this. Kinda reminds me of D’Mite’s “Read a Book,” though, what do you think? Also, “concept and lyrics by Mamma Jamma.” I love this city.

If you find something insane on YouTube that should be featured here, send me an email: kb [at] thedecibeltolls (dot) com, and you’ll get some sort of prize if we feature it. Can’t guarantee it’s a good prize, but something free nonetheless.

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Tortoise at Forecastle Festival, Louisville

The visual treats keep coming.  I was just sent the most high quality series of live Tortoise videos I’ve ever seen, which capture most of their performance at last year’s excellent Forecastle Festival in Louisville, Ky.  The videos feature a soundboard-quality recording of the concert dubbed in sync with the video, both of which were recorded by Keith Robbins.  The first video after the jump is “In Sarah, Mencken, Christ and Beethoven There Were Women and Men,” which is probably my Tortoise song (with “Dot/Eyes” coming in a close second).

Anyway, thanks for sending these, Keith!
Continue reading ‘Tortoise at Forecastle Festival, Louisville’

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Sunday Afternoon with Frank Zappa and Pals

PICT3349_thumb Sunday Afternoon with Frank Zappa and Pals

For all intents and purposes, everything’s been done before – more often than not by Frank Zappa specifically.  Above we have a nice Gorey-esque ink sketch done by my girlfriend (click to see full resolution) featuring a vaudevillian Paul McCartney snaggin’ another good idea from Frank Zappa (which as we all know, he didn’t take too kindly to and recorded the album We’re Only in It for the Money as a retort).

There are many instances of artists doing strange, unexpected, or otherwise self-defeating things during television performances.  Frank Zappa did it first by playing a bicycle on the Steve Allen show.  Live.

And while you hear a variety of music industry insiders complain about the follies of the music business, Frank Zappa prophesied it.

And before Bono was dining with Kofi Annan, Frank Zappa was being a badass and calling out the eggheads on Crossfire. As history demonstrated, of course, the PRMC lost and Zappa’s instrumental Jazz From Hell received a parental advisory label. Hilarious. The first clip is from 1985, and his treatment on the show probably influenced his demeanor in the last two clips from 1987. Robert Novak’s lookin’ good at his younger age.

When in doubt, it’s safe to assume Frank was there first. Though I can’t empirically prove it, I find it a valid statement. Enjoy two of my favorite brainwaves from Mr. Z.

MP3 :::
Frank Zappa – Who Needs the Peace Corps?
Frank Zappa – Who are the Brain Police?

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My Bloody Valentine – 9.27.08 – The Aragon, Chicago – Videos and Setlist

mbvlive My Bloody Valentine - 9.27.08 - The Aragon, Chicago - Videos and Setlist

I’m not going to review the My Bloody Valentine show, at least in the traditional sense. Any show review more than a couple of paragraphs long while taking itself very seriously is innately stupid. At that juncture, such writing is fodder-saturated music critic masturbation, an attempt at trying to connect multiple points together and relate them to a particular concert or band when all you’re really doing is trying to show the world how smart you are. Fuck that. Unless it’s the Concert for Bangledesh, a live show is nothing more than a band who wants to rock it out in front of other people besides themselves and their recording engineer. It’s as simple as that. A long review also, statistically speaking, permits the phrase “rocked the [insert venue name]” to rear its ugly dome at some point, which I will not stand for.

So instead, I’d like to stave off the pretense and simply construct a grocery list of thoughts, then provide you with a couple of videos to czech out. First, I want to talk about my day today. How was yours? Well, great, that’s good to hear. Well, mine’s been busy. Besides uploading videos and returning missed calls, I’ve been taking time to learn American Sign Language. Continue reading ‘My Bloody Valentine – 9.27.08 – The Aragon, Chicago – Videos and Setlist’

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